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Wagner Without Fear
Do you cringe when your opera-loving friends start raving about the latest production of Tristan? Do you feel faint just thinking about the six-hour performance of Parsifal you were given tickets to? Does your mate accuse you of having a Tannhäuser complex? If you're baffled by the behavior of Wagner worshipers, if you've longed to fathom the mysteries of Wagner's ever-increasing popularity, or if you just want to better understand and enjoy the performances you're attending, you'll find this delightful book indispensable. William Berger is the most helpful guide one could hope to find for navigating the strange and beautiful world of the most controversial artist who ever lived. He tells y...
Mansions of Denver
In James Bretz's Mansions of Denver, the charm and history of Denver's architectural past is carefully and beautifully drawn. His book provides readers with insight into the city's youth. But it is also a lament - an homage to a time when architectural originality prevailed.
Puccini Without Excuses
Puccini is the most beloved composer of opera in the world: one quarter of all opera performances in the U.S. are of his operas, his music pervades movie soundtracks, and his plots have infiltrated our popular culture. But, although Puccini’s art still captivates audiences and the popularity of such works as Tosca, La Bohéme, and Madama Butterfly has never waned, he has long been a victim of critical snobbery and cultural marginalization. In this witty and informative guide for beginners and fans alike, William Berger sets the record straight, reclaiming Puccini as a serious artist. Combining his trademark irreverent humor with passionate enthusiasm, Berger strikes just the right balance ...
Actors of the Spaghetti Westerns
Musical accompaniment were jazzed up renditions that basically fit the art form like a glove with a stylish beat that usually pounded out the action as the story unfolded. The music set the mood and the audiences followed. Most of these films would never reach America during the era, even though they were generally aimed at the American film goers. The Actors who went to Italy and got involved in these lucrative new genre spinoffs all enjoyed star status, recognition and glow of the limelight that came with it. These are the Actors were talking about here.
Loss Within Loss
A moving collaboration by some of America's most eloquent writers who supply wry, raging, sorrowful, and buoyant accounts of artist friends and lovers struck down by AIDS. Published in association with the Estate Project for Artists with AIDS, the 23 essays stand as a powerful reminder and survey of the devastating impact of the AIDS epidemic on the arts community. The book also contains biographies of the subjects and the authors, as well as many bandw photographs. Annotation copyrighted by Book News Inc., Portland, OR
Spaghetti Westerns--the Good, the Bad and the Violent
Spaghetti Westerns--mostly produced in Italy or by Italians but made throughout Europe--were bleaker, rougher, grittier imitations of Hollywood Westerns, focusing on heroes only slightly less evil than the villains. After a main filmography covering 558 Spaghetti Westerns, another section provides filmographies of personnel--actors and actresses, directors, musical composers, scriptwriters, cinematographers. Appendices provide lists of the popular Django films and the Sartana films, a listing of U.S.-made Spaghetti Western lookalikes, top ten and twenty lists and a list of the genre's worst.
American Arbitration
This book makes for interesting reading as it traces the two pioneer organizations that consolidated in 1926 to form the American Arbitration Association. The role and influence of the Association in its first twenty years of existence are noteworthy as the book covers the practice of American arbitration and the American concept and organization of international commercial arbitration. The final chapter is devoted to the builders of American arbitration.
