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Tectonics, Sedimentary Basins, and Provenance: A Celebration of the Career of William R. Dickinson
  • Language: en
  • Pages: 757

Tectonics, Sedimentary Basins, and Provenance: A Celebration of the Career of William R. Dickinson

Through a remarkable combination of intellect, self-confidence, engaging humility, and prodigious output of published work, William R. Dickinson influenced and challenged three generations of sedimentary geologists, igneous petrologists, tectonicists, sandstone petrologists, archaeologists, and other geoscientists. A key figure in the plate-tectonic revolution of the 1960s and 1970s, he explained how the distribution of sediments on Earth's surface could be traced to tectonic processes, and is widely recognized as a founder of modern sedimentary basin analysis. This volume consists of 31 chapters related to Dickinson's research interests; many of the authors are his former students, their students, and their students' students, demonstrating his continuing profound influence. The papers in this volume are an impressive tribute to the depth and breadth of Bill Dickinson's contributions to the geosciences.

The TRANSMED Atlas. The Mediterranean Region from Crust to Mantle
  • Language: en
  • Pages: 141

The TRANSMED Atlas. The Mediterranean Region from Crust to Mantle

A publication of the Mediterranean Consortium for the 32nd International Geological Congress

Anatomy of an Orogen: The Apennines and Adjacent Mediterranean Basins
  • Language: en
  • Pages: 637

Anatomy of an Orogen: The Apennines and Adjacent Mediterranean Basins

  • Type: Book
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  • Published: 2013-12-21
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  • Publisher: Springer

This is the first book in English reviewing and updating the geology of the whole Apennines, one of the recent most uplifted mountains in the world. The Apennines are the place from which Steno (1669) first stated the principles of geology. The Apennines also represent amongst others, the finding/testing sites of processes and products like volcanic eruptions, earthquakes, olistostromes and mélanges (argille scagliose), salinity crisis, geothermal fluids, thrust-top basins, and turbidites (first represented in a famous Leonardo's painting). As such, the Apennines are a testing and learning ground readily accessible and rich of any type of field data. A growing literature is available most of which is not published in widely available journals. The objective of the book is to provide a synthesis of current data and ideas on the Apennines, for the most part simply written and suitable for an international audience. However, sufficient details and in-depth analyses of the various complex settings have been presented to make this material useful to professional scholars and to students of senior university courses.

After the Flood
  • Language: en
  • Pages: 265

After the Flood

After the Flood illuminates the hidden role and complicated legacy of religion in the emergence of a global environmental consciousness.

Patrons of Paleontology
  • Language: en
  • Pages: 259

Patrons of Paleontology

In the 19th and early 20th centuries, North American and European governments generously funded the discoveries of such famous paleontologists and geologists as Henry de la Beche, William Buckland, Richard Owen, Thomas Hawkins, Edward Drinker Cope, O. C. Marsh, and Charles W. Gilmore. In Patrons of Paleontology, Jane Davidson explores the motivation behind this rush to fund exploration, arguing that eagerness to discover strategic resources like coal deposits was further fueled by patrons who had a genuine passion for paleontology and the fascinating creatures that were being unearthed. These early decades of government support shaped the way the discipline grew, creating practices and enabling discoveries that continue to affect paleontology today.

Processes Controlling the Composition of Clastic Sediments
  • Language: en
  • Pages: 357

Processes Controlling the Composition of Clastic Sediments

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Realism and Space in the Novel, 1795-1869
  • Language: en
  • Pages: 209

Realism and Space in the Novel, 1795-1869

  • Type: Book
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  • Published: 2016-04-01
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  • Publisher: Routledge

Posing new questions about realism and the creative power of narratives, Rosa Mucignat takes a fresh look at the relationship between representation and reality. As Mucignat points out, worlds evoked in fiction all depend to a greater or lesser extent on the world we know from experience, but they are neither parasites on nor copies of those realms. Never fully aligned with the real world, stories grow out of the mismatch between reality and representation-those areas of the fictional space that are not located on actual maps, but still form a fully structured imagined geography. Mucignat offers new readings of six foundational texts of modern Western culture: Goethe's Wilhelm Meister's Appr...

A View from the Herd
  • Language: en
  • Pages: 211

A View from the Herd

In this book, the late Richard Redding synthesizes his decades-long work on the ancient agricultural economy of Egypt. Drawing on a diverse range of data, including zooarchaeology, ancient texts, and iconographic sources, he explores the role of cattle, sheep, goats, and pigs in the economic infrastructure of ancient, mainly Pharaonic, Egypt and the complexities of decision-making processes that shaped the use and management of these vital livestock resources. The book integrates zooarchaeological and historical data with information on unimproved breeds of cattle, sheep, goats, and pigs from Egypt and the broader Middle East as well as considers texts and tomb paintings. Redding argues that...

The Origins of Geology in Italy
  • Language: en
  • Pages: 240

The Origins of Geology in Italy

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Painting in Stone
  • Language: en
  • Pages: 449

Painting in Stone

A sweeping history of premodern architecture told through the material of stone Spanning almost five millennia, Painting in Stone tells a new history of premodern architecture through the material of precious stone. Lavishly illustrated examples include the synthetic gems used to simulate Sumerian and Egyptian heavens; the marble temples and mansions of Greece and Rome; the painted palaces and polychrome marble chapels of early modern Italy; and the multimedia revival in 19th-century England. Poetry, the lens for understanding costly marbles as an artistic medium, summoned a spectrum of imaginative associations and responses, from princes and patriarchs to the populace. Three salient themes sustained this “lithic imagination”: marbles as images of their own elemental substance according to premodern concepts of matter and geology; the perceived indwelling of astral light in earthly stones; and the enduring belief that colored marbles exhibited a form of natural—or divine—painting, thanks to their vivacious veining, rainbow palette, and chance images.