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Harrington
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The Good Gray Poet A Vindication
William Douglas O'Connor authored the famous biographical fiction novel "the good gray Poet" on the usa of the united states. The book, marketed as a literary biography, gives readers with an in-intensity examination of Whitman's mind-boggling career as a poet and public parent. O'Connor's biography correctly navigates Whitman's family circle and modern lives, imparting slight on his early development, his style, and the social and cultural impact of his revolutionary poetry. O'Connor offers a superb portrait of Whitman, portraying each his accomplishments and his troubles in same degree. The writing's need for "the good grey Poet" references to Whitman's super tendencies as a poet who treat...
Walt Whitman's Champion
In 1865 Walt Whitman was dismissed from his clerkship in the Department of the Interior because Secretary James Harlan judged Leaves of Grass indecent, unfit to be read aloud "by the evening lamp." Most eloquent among Whitman's defenders was William Douglas O'Connor, whose pamphlet The Good Gray Poet, a panegyric to Whitman and an attack on literary censorship in general and Harlan in particular, was the first of his many heroic if sometimes excessive efforts on Whitman's behalf.
Fanny Fern
Fanny Fern is a name that is unfamiliar to most contemporary readers. In this first modern biography, Warren revives the reputation of a once-popular 19th-century newspaper columnist and novelist. Fern, the pseudonym for Sara Payson Willis Parton, was born in 1811 and grew up in a society with strictly defined gender roles. From her rebellious childhood to her adult years as a newspaper columnist, Fern challenged society's definition of women's place with her life and her words. Fern wrote a weekly newspaper column for 21 years and, using colorful language and satirical style, advocated women's rights and called for social reform. Warren blends Fern's life story with an analysis of the social and literary world of 19th-century America.
Boston's Histories
This collection is both a tribute to the distinguished work of Thomas H. O'Connor, the dean of Boston historians, and a survey of the best and innovative contemporary work on Boston's diverse histories.
The Ghost
"The Ghost" by using William Douglas O'Connor is a compelling story approximately love, redemption, and the supernatural. Set in the picturesque English geographical region, the plot follows Sir Everard Dominey, a dissatisfied aristocrat who returns to his ancestral manor after years in exile in Africa. Sir Everard, haunted via memories of his sad beyond and the phantom of a darkish mystery, becomes entangled in a web of intrigue and mystery. As he battles his inner demons and the enigmatic presence of a mysterious girl recognised most effective as "The Ghost," Sir Everard embarks on a voyage of self-discovery and redemption. Along the way, he meets a numerous group of characters, each with their very own secrets and techniques and desires. As the tale progresses, O'Connor skillfully mixes together elements of romance, suspense, and the supernatural, preserving readers on the edge in their seats until the end. With its superbly advanced characters and dramatic putting, "The Ghost" is a timeless story of affection and redemption that will stay with the reader lengthy after the final page is became.
Intimate With Walt
In March 1888 Horace Traubel, Whitman's loyal and hardworking assistant, began to record his almost daily conversations with the most famous resident of Camden. The result: more than 1,900,000 words that were eventually published between 1906 and 1996 in nine volumes. Titled With Walt Whitman in Camden, these volumes contain much that is mundane and repetitive, but they also include many passages crucial for a full and humane understanding of America's first great national poet. In Intimate with Walt Gary Schmidgall has condensed Traubel's nearly 5,000 pages into one manageable volume featuring the many self-revealing, humorous, nostalgic, and often curmudgeonly words of the Good Gray Poet. ...
The Conservator
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Whitman and the Irish
Though Walt Whitman created no Irish characters in his early works of fiction, he did include the Irish as part of the democratic portrait of America that he drew in Leaves of Grass. He could hardly have done otherwise. In 1855, when the first edition of Leaves of Grass was published, the Irish made up one of the largest immigrant populations in New York City and, as such, maintained a cultural identity of their own. All of this “Irishness” swirled about Whitman as he trod the streets of his Mannahatta, ultimately becoming part of him and his poetry. As members of the working class, famous authors, or close friends, the Irish left their mark on Whitman the man and poet. In Whitman and th...
