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Theatrical Space
Too often directors and stage designers approach the architectural layout of theatres as obstructive to the creative process. Condee's book teaches theater professionals to work creatively within even the most restrictive theatrical space and transform it into an asset rather than an obstacle. Condee has interviewed hundreds of prominent American and British directors, designers, and actors, and provides photographs and groundplans of major American theatres. Each chapter tackles a different set of problems, offering thoughtful solutions to common obstacles. Theatrical Space is not only a useful textbook for students of theatre, but also a valuable resource for all directors and designers, both young and experienced. Paperback edition available April 2002. Cloth version previously published in 1995.
Coal and Culture
A critical appreciation of the opera house in the coal-mining region of Appalachia from the mid 1860s to the early 1930s, Coal and Culture demonstrates that these were multipurpose facilities that were used for traveling theater, concerts, religious events, lectures, commencements, boxing matches, benefits, union meetings, and - if the auditorium had a flat floor - skating and basketball.
A Short History of Western Performance Space
This innovative book provides a historical account of performance space within the theatrical traditions of western Europe. David Wiles takes a broad-based view of theatrical activity as something that occurs in churches, streets, pubs and galleries as much as in buildings explicitly designed to be 'theatres'. He traces a diverse set of continuities from Greece and Rome to the present, including many areas that do not figure in standard accounts of theatre history.
Mapping Across Academia
This book addresses the role and importance of space in the respective fields of the social sciences and the humanities. It discusses how map representations and mapping processes can inform ongoing intellectual debates or open new avenues for scholarly inquiry within and across disciplines, including a wide array of significant developments in spatial processes, including the Internet, global positioning system (GPS), affordable digital photography and mobile technologies. Last but not least it reviews and assesses recent research challenges across disciplines that enhance our understanding of spatial processes and mapping at scales ranging from the molecular to the galactic.
At Home in Shakespeare's Tragedies
Bringing together methods, assumptions and approaches from a variety of disciplines, Geraldo U. de Sousa's innovative study explores the representation, perception, and function of the house, home, household, and family life in Shakespeare's great tragedies. Concentrating on King Lear, Hamlet, Othello, and Macbeth, de Sousa's examination of the home provides a fresh look at material that has been the topic of fierce debate. Through a combination of textual readings and a study of early modern housing conditions, accompanied by analyses that draw on anthropology, architecture, art history, the study of material culture, social history, theater history, phenomenology, and gender studies, this ...
Van Alstyne-Van Alstine Family History
Jan Martense Van Alstyne (ca.1623-ca.1698) emigrated from Holland to New Amsterdam, New York during or before 1655, married Dirckje Harmense, and moved to Albany, New York about 1689. Descendants lived in New York, Pennsylvania, Ohio, Illinois, Wisconsin, South Dakota, Minnesota, California and elsewhere.
Ohio Valley History
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Dramatic Spaces
For literary scholars, plays are texts; for scenographers, plays are performances. Yet clearly a drama is both text and performance. Dramatic Spaces examines period-specific stage spaces in order to assess how design shaped the thematic and experiential dimensions of plays. This book highlights the stakes of the debate about spatiality and the role of the spectator in the auditorium – if audience members are co-creators of the drama, how do they contribute? The book investigates: Roman comedy and Shakespearean dramas in which the stage-space itself constituted the primary scenographic element and actors’ bodies shaped the playing space more than did sets or props the use of paid applaude...
Main Street Movies
"See yourself in the movies!" Prior to the advent of the home movie camera and the ubiquitousness of the camera phone, there was the local film. This cultural phenomenon, produced across the country from the 1890s to the 1950s, gave ordinary people a chance to be on the silver screen without leaving their hometowns. Through these movies, residents could see themselves in the same theaters where they saw major Hollywood motion pictures. Traveling filmmakers plied their trade in small towns and cities, where these films were received by locals as being part of the larger cinema experience. With access to the rare film clips under discussion, Main Street Movies documents the diversity and longevity of local film production and examines how itinerant filmmakers responded to industry changes to keep sponsors and audiences satisfied. From town pride films in the 1910s to Hollywood knockoffs in the 1930s, local films captured not just images of local people and places but also ideas about the function and meaning of cinema that continue to resonate today.
Music in the Chautauqua Movement
The chautauqua movement was a truly American phenomenon, providing education and entertainment for millions of people and employing thousands of musicians in the process. While scholars have previously explored various facets of the chautauqua movement, this is the first book to trace the place of music in the movement from its inception through its decline. Drawing upon the rich collections of ephemera left by several chautauqua bureaus, this study profiles several famous musicians and introduces the reader to lesser-known musical acts that traveled the chautauqua circuits. In addition, it explores music's role in defining the chautauqua movement as "high culture," legitimizing the movement in the eyes of community leaders and setting it apart from vaudeville and other competing amusements. Finally, it addresses music's role in establishing chautauqua's identity as an American institution, specifically in the years surrounding World War I.
