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Using newly-discovered documentation from the French military archives, A History of Violence in the Early Algerian Colony offers a comprehensive study of the forms of violence adopted by the French Army in Africa. Its coverage ranges from detailed case studies of massacres to the question of whether a genocide took place in Algeria.
This book forms part of the scholarly rejection of the ‘experts’ of empire and calls for us to centre our understanding of colonial praxis upon the lives of the colonised peoples of the past and the present. Western publics are constantly being told by ‘experts’ that they ought to rethink the history of empire. They are told that their (presumed) guilt regarding their countries’ imperial pasts can be assuaged: if people were only able to deploy a ‘balanced scorecard’ they would then recognise that imperialists brought roads as well as death, schools as well as national borders, and hospitals as well as racialised forms of ethnic conflict. Building around an essay by the Algerian writer Hosni Kitouni (here translated into English for the first time), this book shows how the genre and forms of imperial history mirror the actions of colonists and the documents they left behind, erasing the suffering of indigenous people and the after-effects of empire, which last into the present and will continue into the future. This book was originally published as a special issue of Rethinking History.
This book is the first comprehensive study of French medicine in nineteenth-century Algeria. It argues that the medicalization was a priority for colonial regimes, but this goal was thwarted by ineffectual French medicine, institutional rivalries, and the manner in which medicine became a focus for the resistance of French domination and rule.
What is time? How does our sense of time lead us to approach the world? How did the peoples of the past view time? This book answers these questions through an investigation of the cultures of time in Christianity, Islam, Buddhism, Judaism and the Australian Dreamtime. It argues that our contemporary world is blind as to the significance and complexity of time, preferring to believe that time is natural and unchanging. This is of critical importance to historians since the base matter of their study is time, yet there is almost no theoretical literature on time in history. This book offers the first detailed historiographical study of the centrality of time to human cultures. It sets out the...
Explores the cultural and religious significance of a series artworks painted onto the walls of the Tunisian city of Qayrawān by women artists in the late nineteenth century.
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Oxford, Bern, Berlin, Bruxelles, Frankfurt/M., New York, Wien. French Studies of the Eighteenth and Nineteenth Centuries. Vol. 9 General Editors: Malcolm Cook and James Kearns. This innovative study of Emile Zola's Les Rougon-Macquart cycle reads Zola's novels as a history of capitalism. Drawing on critical methods from history, politics and literary theory, the author seeks to establish new connections between the work of Zola and that of Marx, Weber and Durkheim and to situate Zola's ideas in contemporary debates on capitalism. Contents: Introduction: reading Zola - Modernity - Capitalism - Imperialism - Secularization - Resistance - History - Possibilities - Appendix A: Zola and Wittgenstein - Appendix B: Reading capitalism - Bibliography - Index.
William Orpen (1878-1931) was in 1917 appointed as an official war artist in France. He not only saw the Great War as a call to paint serious subject-matter—enabling him to break away from the constraints of society portraiture in London—but also as an opportunity to write. Orpen was commissioned, along with artists such as Paul Nash, Stanley Spencer and Wyndham Lewis, to paint for the Department of Information. He was the only war artist to keep a written record of his wartime experience, published in 1921 as An Onlooker in France. In his Preface, Orpen rather too modestly states: “This book must not be considered as a serious work on life in France behind the lines, it is merely an a...
A detailed account of the geology shown on the complementary 1: 50 000 (or earlier 1: 63 360) geological map(s)