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"Symbolic Essence" and Other Writings on Modern Architecture and American Culture
"Historian and architectural critic William H. Jordy (1917-1997) significantly shaped the way we understand the character and meaning of modern architecture and American culture. This collection of his thought-provoking essays encompasses Jordy's entire career and includes his signature essay, "The Symbolic Essence of Modern Architecture of the Twenties and Its Continuing Influence." The collection also contains critical writings on works by Ludwig Mies van der Rohe, Le Corbusier, Louis Kahn, and Robert Venturi, as well as less well-known pieces and one previously unpublished text."--BOOK JACKET.
"Symbolic Essence" and Other Writings on Modern Architecture and American Culture
"Historian and architectural critic William H. Jordy (1917-1997) significantly shaped the way we understand the character and meaning of modern architecture and American culture. This collection of his thought-provoking essays encompasses Jordy's entire career and includes his signature essay, 'The Symbolic Essence of Modern Architecture of the Twenties and Its Continuing Influence.' The collection also contains critical writings on works by Ludwig Mies van der Rohe, Le Corbusier, Louis Kahn, and Robert Venturi, as well as less well-known pieces and one previously unpublished text. Generously illustrated, the book demonstrates the range and depth of Jordy's thinking. He leads his readers to discover important connections of architecture with art, literature, intellectual history, symbolic structures, social purpose, and community. Mardges Bacon's insightful introduction to the volume situates Jordy's essays in historical and architectural context and offers a concise intellectual biography of this original and influential thinker"--Publisher's description.
American Buildings and Their Architects: The colonial and neoclassical styles
Beginning with a description of Gothic, Classical, and Baroque architecture, Pierson explores how American architects used these traditions to develop a uniquely American style. He examines the works of the early masters, including Bulfinch's Massachusetts State House, Latrobe's Capitol Building in Washington, Independence Hall in Philadelphia, Mills's buildings in South Carolina, as well as Thomas Jefferson's house in Monticello, which represents the clearest expression of the new American architectural vision.
