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For most of her life Emily Dickinson regularly embedded poems, disguised as prose, in her lively and thoughtful letters. Although many critics have commented on the poetic quality of Dickinson's letters, William Shurr is the first to draw fully developed poems from them. In this remarkable volume, he presents nearly 500 new poems that he and his associates excavated from her correspondence, thereby expanding the canon of Dickinson's known poems by almost one-third and making a remarkable addition to the study of American literature. Here are new riddles and epigrams, as well as longer lyrics that have never been seen as poems before. While Shurr has reformatted passages from the letters as p...
A recurrent idea in Darrel Abel's criticism of the works of Hawthorne gives this volume its title. The idea of a fallen world and its potential for partial redemption through art and the art of criticism is a theme that weaves in and out of the sixteen essays. The volume as a whole displays an explicit and implicit concern with critical approaches and reflects an awareness of the fictiveness of critical resolutions in a world in which boundaries are constantly under challenge, for example, those which divide "textuality" from "contextuality." This collection of essays explores the problems the practical critic and teacher has had to face in the shifts in taste, assumptions, and methodology in the moves from moral and historical criticism to the "New Criticism," and to the newer linguistic and semiotic criticism.
A thorough examination of Benjamin Franklin's works on philosophy and politics, arguing that Franklin was a philosopher of natural right
Known for his influential role in the debates that established the founding documents of the United States, Benjamin Franklin was not only an astute politician, but also an Atlantic citizen whose commitment to the American cause was informed by years spent in England and France. The life of this iconic founder provides an ideal opportunity for students to take a closer look at eighteenth century colonial society and the contested formation of the early American nation. In this carefully contextualized account, Nathan R. Kozuskanich considers the many facets of Franklin’s private and public lives, and shows how Franklin grappled with issues that still concern us today: the right to bear arms, the legacy of slavery, and the nature of American democracy. In a concise narrative bolstered by supporting primary documents, Benjamin Franklin: American Founder, Atlantic Citizen introduces students to the world of the burgeoning United States and enables them to understand the journey from imperial colonies to an independent nation dedicated to the premise that all men are created equal.
The public is familiar with the Emily Dickinson stereotype--an eccentric spinster in a white dress flitting about her father's house, hiding from visitors. But these associations are misguided and should be dismantled. This work aims to remove some of the distorted myths about Dickinson in order to clear a path to her poetry. The entries and short essays should open avenues of debate and individual critical analysis. This companion gives both instructors and readers multiple avenues for study. The entries and charts are intended to prompt ideas for classroom discussion and syllabus planning. Whether the reader is first encountering Dickinson's poems or returning to them, this book aims to inspire interpretative opportunities. The entries and charts make connections between Dickinson poems, ponder the significance of literary, artistic, historical, political or social contexts, and question the interpretations offered by others as they enter the never-ending debates between Dickinson scholars.
The Malcolm Letter was written by Melville in 1849 on the birth of his son. This letter is one of thirty-six to be retrieved since the publication of The Letters of Herman Melville (1960) and has earned a place in the New York Public Library's Gansevoort-Lansing Collection. Addressed to Melville's brother, the letter entices critics to read it on several levels. It reveals Melville's serious consideration of his own father's influence on his upbringing as he anticipates undertaking the role of father himself. It is not a literary work, but a deeply personal outpouring distinguished by dark underpinnings barely hidden by his light-hearted tone. In a bit of dramatic irony, Melville reflects on the responsibility looming ahead of him as the reader notes the tragedy that Melville cannot possibly foresee - his son Malcolm's suicide eighteen years later. Cohen's and Yannella's careful study relives for the reader this and other events which shaped the clannish Melville family history. They also show how the author's struggle with these pressures are manifested in his writing. This volume is published in cooperation with the New York Public Library.
In Inscrutable Malice, Jonathan A. Cook expertly illuminates Melville's abiding preoccupation with the problem of evil and the dominant role of the Bible in shaping his best-known novel. Drawing on recent research in the fields of biblical studies, the history of religion, and comparative mythology, Cook provides a new interpretation of Moby-Dick that places Melville's creative adaptation of the Bible at the center of the work. Cook identifies two ongoing concerns in the narrative in relation to their key biblical sources: the attempt to reconcile the goodness of God with the existence of evil, as dramatized in the book of Job; and the discourse of the Christian end-times involving the final destruction of evil, as found in the apocalyptic books and eschatological passages of the Old and New Testaments. With his detailed reading of Moby-Dick in relation to its most important source text, Cook greatly expands the reader's understanding of the moral, religious, and mythical dimensions of the novel. Both accessible and erudite, Inscrutable Malice will appeal to scholars, students, and enthusiasts of Melville's classic whaling narrative.
The New Cambridge Companion to Herman Melville provides timely, critical essays on Melville's classic works. The essays have been specially commissioned for this volume and provide a complete overview of Melville's career. Melville's major novels are discussed, along with a range of his short fiction and poetry, including neglected works ripe for rediscovery. The volume includes essays on such new topics as Melville and oceanic studies, Melville and animal studies, and Melville and the planetary, along with a number of essays that focus on form and aesthetics. Written at a level both challenging and accessible, this New Companion brings together a team of leading international scholars to offer students of American literature the most comprehensive introduction available to Melville's art.
Explores the nature of Melville's relations to his reader in Moby Dick, arguing that Melville and his narrator Ishmael are so dazzled, so completely seduced by the Ahab's charismatic charm that they, along with most readers and critics, are unable to see Ahab's character clearly confusing his demonism for tragic heroism.
A comprehensive, ambitious, and valuable work on an increasingly important subject In the Preface to her new study, Latin Americanist Helen Delpar writes, "Since the seventeenth century, Americans have turned their gaze toward the lands to the south, seeing in them fields for religious proselytization, economic enterprise, and military conquest." Delpar, consequently, aims her considerable gaze back at those Americans and the story behind their longtime fascination with Latin American culture. By visiting seminal works and the cultures from which they emerged, following the effects of changes in scholarly norms and political developments on the training of students, and evaluating generations of scholarship in texts, monographs, and journal articles, Delpar illuminates the growth of scholarly inquiry into Latin American history, anthropology, geography, political science, economics, sociology, and other social science disciplines.