You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
(Guitar Method). This practical, comprehensive method is used as the basic text for the guitar program at the Berklee College of Music. Volume One builds a solid foundation for beginning guitarists and features a comprehensive range of guitar and music fundamentals, including: scales, melodic studies, chord and arpeggio studies, how to read music, special exercises for developing technique in both hands, voice leading using moveable chord forms, and more.
(Berklee Methods). The William Leavitt Modern Method for Guitar, used as the basic text for the Berklee College of Music guitar program, has stood the test of time and earned a vast and loyal following of dedicated guitar students and instructors. By popular demand, Berklee Press has created a compilation of the original volumes 1, 2, and 3, including all audio and video tracks. Now, serious guitar students and instructors, from beginning through advanced, have the convenience of progressing through all three volumes of this classic guitar method in one comprehensive book. Innovative solos, duets, and exercises progressively teach melody, harmony, and rhythm. This edition contains audio and video produced by William Leavitt's students Charles Chapman and Larry Baione (who was his successor as chair of the Berklee Guitar Department), demonstrating the examples and providing play-along tracks for the ensemble exercises.
(Guitar Method). A thorough presentation of rhythms commonly found in contemporary music, including 68 harmonized melodies and 42 rhythm exercises. This highly respected and popular book is also an excellent source for duets, sight-reading and chord studies.
"An essential resource for every beginning guitar student. This modern instructional method is designed for individual study or a classroom environment. Guitar technique and reading skills are developed through two-, three-, and four-part ensemble arrangements of both traditional and newly-composed music. To round out your training there is also an introduction to chord playing. 'Berklee Basic Guitar' is THE way to learn guitar. Guitar players quickly advance with the essential tools provided here." -- page 4 of cover.
(Musicians Institute Press). Navigate the guitar neck better than ever before with this easy-to-use book! Designed from Musicians Institute core curriculum programs, it covers essential concepts for players of every level, acoustic or electric. A hands-on guide to theory, it will help you learn to build any scale or chord on your own and unleash creativity. No music reading is required.
(Guitar Method). Play great jazz while you learn from this revered guitar method! These solos and duets map directly to the lessons in William Leavitt's Modern Method for Guitar, Volume 1 , the basic guitar text at Berklee College of Music. Since the 1960s, the Modern Method for Guitar series has been one of world's most popular guitar methods, translated into Spanish, French, and Japanese, and selling over half a million copies. Carefully overseen by Larry Baione, chair of Berklee's Guitar Department (and a former student of William Leavitt), these arrangements are crafted to Leavitt's time-proven approach, giving you the chance to apply what you learn to music by Miles Davis, Duke Ellingto...
(Guitar Solo). A comprehensive collection of studies for beginners to improve their reading and technical ability. Covers: positions 1 through 7 in all keys while introducing scales, arpeggios, written-out chords, and a variety of rhythms and time signatures.
(Guitar Solo). This Berklee Workshop is designed for serious guitarists who want to sharpen their high register reading skills and take their playing expertise to the next level. It introduces studies in all keys, using positions 8 through 12 and all major, minor and symmetric scales. Individual studies consist of scale passages, arpeggios, intervals and notated chord sequences in various time signatures.
Publication accompanying an exhibition presented at the Museum of Contemporary Art, Los Angeles, Mar. 13-July 3, 2011.
Script, with photographs taken by the author, of a play that was first performed January 26, 2012 at The Annex (of the Margo Leavin Gallery) as part of the Pacific Standard Time Performance Festival and directed by William Leavitt and Rob Sullivan.