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Italy, the Fatal Gift
"William Murray (April 8, 1926, New York City ? March 9, 2005, NYC) was an American fiction editor and staff writer at The New Yorker for more than thirty years. He wrote a series of mystery novels set in the world of horse racing, many featuring Shifty Lou Anderson, a professional magician and horseplayer. Among his many contributions to The New Yorker was the magazine's "Letters from Italy" of which he was the sole author."--Wikipedia.
My Life Without God
Atheist Madalyn O'Hair's son recounts his turbulent childhood, his search for truth and subsequent commitment to Christ. Bill shares how God's love helped him cope with his family's disappearance and tragic deaths. Includes photos.
The Last Italian
Drawing from a lifetime of writing about Italy, William Murray takes us off the beaten path to give us more than landmarks, more than art history, more than four-star restaurants and two-dimensional landscapes. He explores an Italy rarely seen: the terrain of her soul and geography of her character. Book jacket.
We Have Fun
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Serial Killers
Delves into the minds and crimes of the most dangerous and disturbed people who ever lived.
The Age of Titans
While we know a great deal about naval strategies in the classical Greek and later Roman periods, our understanding of the period in between--the Hellenistic Age--has never been as complete. However, thanks to new physical evidence discovered in the past half-century and the construction of Olympias, a full-scale working model of an Athenian trieres (trireme) by the Hellenic Navy during the 1980s, we now have new insights into the evolution of naval warfare following the death of Alexander the Great. In what has been described as an ancient naval arms race, the successors of Alexander produced the largest warships of antiquity, some as long as 400 feet carrying as many as 4000 rowers and 300...
Rough Notes On Remedies
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Sunny Days
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