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Folk-rock/alt-country musician Will Oldham, known by the stage name Bonnie "Prince" Billy, offers his autobiography in interview with longtime friend and associate Alan Licht, offering insight his musicianship, interactions with other musicians, discography and more.
The last great mob story, this definitive inside account is an historic, unprecedented portrait of two brotherhoods - the NYPD and the Mafia - and the two cops who allegedly belonged to both.
W - Sweeney called me and said that Johnny Cash just recorded ' I See A Darkness .' We had a Bowery Ballroom show a week or two later, and he invited Rick Rubin to come to the show; he came to the show . . . and asked if I wanted to play piano on the song. A - Which you agreed to do despite not knowing how to play piano. W - Yes . . . A man who acts under the name Will Oldham and a singer-songwriter who performs under the name Bonnie Prince Billy has, over the past quarter of a century, made an idiosyncratic journey through, and an indelible mark on, the worlds of indie rock and independent cinema, intersecting with such disparate figures as Johnny Cash, Björk, James Earl Jones, and R. Kelly along the way. These conversations with longtime friend and associate Alan Licht probe his highly individualistic approach to music making and the music industry, one that cherishes notions of intimacy, community, mystery, and spontaneity.
It's Going to be a Bright New Day: Would You Rather, with Bonnie 'Prince' Billy is Max Porter asking Will Oldham questions. Will Oldham has to say whether he would rather one thing, or another. Many topics are covered, including music, sex, cuisine, literature and travel. Some people believe that the Would You Rather format is better suited to a long car journey than a pamphlet, but we disagree. It works just fine on the page. More than that, it's very interesting and occasionally profound.
What did Time magazine consider the twentieth-century's greatest album? Which anthem by Prince was an attempt to emulate Bob Seger? And what links Count Basie and Batman? If you thought you knew your music, then think again. 1001Albums You Must Hear Before You Die, is totally revised and fully updated for 2013, and is the definitive guide to accompany your interest in music. Written by top UK and US music journalists, and includes a preface by Michael Lydon, the founding editor of the Rolling Stone magazine. It celebrates the great and ground-breaking albums throughout the eras - from the genesis of Fifties rock 'n' roll to the technological and electronic innovations of the 2000s. Each entr...
History and genealogies of the families of Miller, Woods, Harris, Wallace, Maupin, Oldham, Kavanaugh, and Brown with interspersions of notes of the families of Dabney, Reid, Martin, Broaddus, Gentry, Jarman, Jameson, Ballard, Mullins, Michie, Moberley, Covington, Browning, Duncan, Yancey and Others.
The definitive collection of lyrics from three decades of songwriting. As a performer, songwriter, and actor, Will Oldham has carved a singular path through the worlds of indie folk and cinema. Now the critically acclaimed, enigmatic artist presents his life’s work: the lyrics to more than two hundred songs spanning the 1980s to the present, each with annotations that impart new meaning to his music. Oldham’s aphoristic meditations—on death, patience, and turning carelessness into a virtue—are, like his lyrics, profound, earthy, and often funny. They reveal flashes of Oldham’s philosophy, the sources and circumstances that inspired his lyrics, and the literary ambition of his songwriting. Separated from their aural form, Oldham’s lyrics become a new kind of poetry—candid, awkward, and wise—with influences as diverse as Rabindranath Tagore and The Mekons. A book that will delight his longtime fans and inspire young songwriters, Songs of Love and Horror reveals an artist who has captured extraordinary poetry in music despite being "a stranger among my own language."
Erin Osmon presents a detailed, human account of the Rust Belt–born musician Jason Molina—a visionary, prolific, and at times cantankerous singer-songwriter with an autodidactic style that captivated his devoted fans. The songwriting giant behind the bands Songs: Ohia and Magnolia Electric Co. had a knack for spinning tales, from the many personal myths he cultivated throughout his life to the poems and ballads he penned and performed. As with too many great musicians, Molina’s complicated relationship with the truth, combined with a secretive relationship with the bottle, ultimately claimed his life. Jason Molina: Riding with the Ghost details Molina’s personal trials and triumphs a...
Thoroughly revised and expanded, this entertaining musical companion provides original reviews of more than seven hundred albums, along with deailed information on recording and production details, release dates, artists and musicians, cross references, and more. Original.
The author has researched his own family history extensively and explains how he went about this and sets out the resulting discoveries which include finding a direct line of descent from the Plantagenet Kings of England which in turn established links to many royal and aristocratic families. There are many interesting characters revealed in the process, about whom the author comments, and there is much advice about how to research family history together with some warnings of some of the pitfalls which may mislead the unwary. This anatomy of a family provides some illuminating insights into social history and some entertaining anecdotes.