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Dramaturgy and Dramatic Character
Dramatic character is among the most long-standing and familiar of artistic phenomena. From the theatre of Dionysus in ancient Greece to the modern stage, William Storm's book delivers a wide-ranging view of how characters have been conceived at pivotal moments in history. Storm reaffirms dramatic character as not only ancestrally prominent but as a continuing focus of interest. He looks closely at how stage figures compare to fictional characters in books, dramatic media, and other visual arts. Emphasis is sustained throughout on fundamental questions of how theatrical characterization relates to dramatic structure, style, and genre. Extensive attention is given to how characters think and to aspects of agency, selfhood, and consciousness. As the only book to offer a long view of theatrical characterization across this historical span, Storm's dramaturgical and theoretical investigation examines topics that remain vital and pertinent for practitioners, scholars, students of theatre and literature, and general audiences.
The Violent Storm
Johnstone Country. Forecast: Deadly. Will Tanner is no ordinary lawman. He’s a force of nature. But when he’s outnumbered by rustlers, outgunned by outlaws—and stalked by a killer fresh out of jail—he’s in for the fight of his life . . . THE VIOLENT STORM There’s a storm brewing in Oklahoma Territory, and this time, it’s deadly serious. Local cattle ranches are being targeted by Texas rustlers—and the only man who can keep it from turning into a bloodbath is U.S. Deputy Marshal Will Tanner. The newly married lawman hates to leave his beautiful bride Sophie, but duty calls—for better or worse. In Tanner’s experience, it’s usually worse. An unexpected confrontation with outlaws is just the bloody beginning. Then an escaped convict catches wind of the fact that Tanner killed his brother. Now Will’s really in the crosshairs. Tanner knows he’s riding straight into a perfect storm of vengeance and slaughter, with only one way to end it—a hailstorm of hot lead. Live Free. Read Hard.
After Dionysus
William Storm reinterprets the concept of the tragic as both a fundamental human condition and an aesthetic process in dramatic art. He proposes an original theoretical relation between a generative and consistent tragic ground and complex characterization patterns. For Storm, it is the dismemberment of character, not the death, that is the signature mark of tragic drama. Basing his theory in the sparagmos, the dismembering rite associated with Dionysus, Storm identifies a rending tendency that transcends the ancient Greek setting and can be recognized transhistorically. The dramatic character in any era who suffers the tragic fate must do so in the manner of the ancient god of theater: the ...
Toronto, No Mean City
This reprint of the third edition, prepared by Stephen Otto, updates Arthur's classic to include information and illustrations uncovered since the appearance of the first edition.
