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The Grotesque in Art and Literature
The authors focus on the religious and theological significance of grotesque imagery in art and literature, exploring the religious meaning of the grotesque and its importance as a subject for theological inquiry.
Strange Bodies
This study adapts Mikhail Bakhtin's theory of the grotesque, as well as gender and psychoanalytic theory, to the major works of the southern writer Carson McCullers. The author argues that McCullers' work has too often suffered under the pall of narrow gothic interpretations.
"Between the House and the Chicken Yard"
Recognizing personal tendencies and developing literary talents enabled Mary Flannery O'Connor to don multiple masks, concealing or revealing segments of herself as she desired. With no memoirs or lengthy autobiographies, O'Connor's published works, letters, manuscripts, along with previously unpublished letters are examined to determine how O'Connor defined herself, not just how other scholars interpret her life and works. In fact, the plethora of criticism is in danger of obscuring the most important authority: O'Connor herself...Carl Jung claimed that adopted personas allow people ways to conform to society acceptably. While O'Connor's personal and social masks were affected by her Southe...
Counter-revolution of the Word
During the Cold War an unlikely coalition of poets, editors, and politicians converged in an attempt to discredit--if not destroy--the American modernist avant-garde. Ideologically diverse yet willing to bespeak their hatred of modern poetry through the rhetoric of anticommunism, these "anticommunist antimodernists," as Alan Filreis dubs them, joined associations such as the League for Sanity in Poetry to decry the modernist "conspiracy" against form and language. In Counter-revolution of the Word Filreis narrates the story of this movement and assesses its effect on American poetry and poetics. Although the antimodernists expressed their disapproval through ideological language, their hatre...
Seven Modern American Novelists
Seven Modern American Novelists was first published in 1964. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. This volume provides critical introductions to seven of the most significant American novelists of this century, bringing together in convenient book form the material from some of the University of Minnesota Pamphlets on American Writers. The writers discussed and the contributing authors are Edith Wharton by Louis Auchincloss, Sinclair Lewis by Mark Schorer, F. Scott Fitzgerald by Charles E. Shain, William Faulkner by William Van O'Connor, Er...
The Body in Flannery O'Connor's Fiction
This is a reading of physical obsession in O'Connor through linguistic and literary techniques. central struggle between spirit and matter in O'Connor through a close quantitative examination of the interactions of grammatical voice and physical bodies in her texts. Bridging literary theory and linguistics, Hardy demonstrates that the many constructions in which the body parts of O'Connor's characters are foregrounded, either as subjects or objects, are grammatical manipulations of semantic variations on what linguists deem the middle voice - roughly indicating that the subject is acting upon himself or herself. productive approach to understanding O'Connor's use of the body and its parts in...
Wallace Stevens
This set comprises of 40 volumes covering nineteenth and twentieth century European and American authors. These volumes will be available as a complete set, mini boxed sets (by theme) or as individual volumes. This second set compliments the first 68 volume set of Critical Heritage published by Routledge in October 1995.
Literary Theories in Praxis
Literary Theories in Praxis analyzes the ways in which critical theories are transformed into literary criticism and methodology. To demonstrate the application of this analysis, critical writings of Roland Barthes, Harold Bloom, Cleanth Brooks, Jacques Derrida, Northrop Frye, Norman Holland, Barbara Johnson, Jacques Lacan, Adrienne Rich, and Robert Scholes are examined in terms of the primary critical stance each author employs—New Critical, phenomenological, archetypal, structuralist/semiotic, sociological, psychoanalytic, reader-response, deconstructionist, or humanist. The book is divided into nine sections, each with a prefatory essay explaining the critical stance taken in the selections that follow and describing how theory becomes literary criticism. In a headnote to each selection, Staton analyzes how the critic applies his or her critical methodology to the subject literary work. Shirley F. Staton's introduction sketches the overall philosophical positions and relationships among the various critical modes.
