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The elusive and ungraspable in Rihms’s music Wolfgang Rihm ( b. Karlsruhe, 1952) is the most performed living German composer. With his personal, expressive, and versatile music, he became the most prominent representative of his generation. His individual approach to music was established in the 1980s and he continues to explore and enlarge his original concepts today. His 1980s work is at the core of this book, more specifically his instrumental music: the Chiffre cycle and the string quartets. Thinking about Rihm includes reflecting on his interest in philosophy, his relation to fine arts, his awareness of principles found in nature, and his references to important composers from the past. His music is embedded in the past and the actuality in modernism and postmodernism. Notwithstanding Rihm’s generosity in essays and introductions to his works, many aspects of the ‘inner sound’ of his music stay an elusive, ungraspable ‘chiffre’: a challenge for the analyst. With Foreword by Richard McGregor (Professor Emeritus, University of Cumbria)
Uncovers the literary traditions of melancholy that inform major works of postwar and contemporary German literature dealing with the Holocaust and the Nazi period.
Every day, over a million images are uploaded to flickr. This is a striking example of the so-called »flood« of images that emerged with the beginning of the digital age. A generation of adolescents has already been socialised with this flood of images and deals with it on a daily basis, both in their networks and elsewhere. Art education thus faces significant challenges: art is the only school subject that deals with the problems inherent in images as images, making them the focus of pedagogic activity. This volume presents both the foundations for engaging with the phenomenon of the »image« in a competent and historically informed manner as well as the perspectives for art education t...
This book investigates theories of linear perspective in classical antiquity.
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Are emotions, feelings, sentiments not the stuff of literature? That is where they project their 'inner logic' of aesthetic transmutation; there, beyond the instrument of language that they command. This collection explores how the lyrical virtualities of life-experience and the elegiac style in literature share a common core, lifting the human significance of life from abysmal vitality to esoteric heights, from abysmal grief to a serene reconciliation with destiny. The 'elegiac sequence' in the play of emotions, feelings, sentiments brings together life and literary creativity in its transformatory power. With papers by A. Giuculescu, John McGraw, R. Ellis, A. Carillo Canán, B. Watson, S. Bindeman, R.J. Wilson, L. Kimmel, B. Prochaska, T. Raczka, Chr. Eykman, J.S. Smith, G. Scheper, S. Feshbach, I. Vayl, H. Rudnick and others.
"Thanks to this volume, the reader can visit the Roman houses of Pompeii, Herculaneum, Boscoreale, Oplontis, and Rome that display superb Roman frescoes on their walls ... An essay by Donatella Mazzoleni highlights the connections between Roman architecture and the programs of illusionistic wall paintings employed in these magnificent structures. Umberto Pappalardo examines the Roman domestic ideal and its realization in wall painting and through other elements of interior decoration. The two essays precede a sumptuously illustrated guide to twenty-eight of the most beautiful houses - among them, the Villa of the Mysteries, the House of the Vettii, and the House of the Faun in Pompeii; the House of Livia, the Villa Farnesina, and the Domus Aurea in Rome; the House of the Grand Portal in Herculaneum; and the Villa of Publius Fannius Synistor in Boscoreale."--BOOK JACKET.
"Reprint of The Metropolitan Museum of Art Bulletin (Spring 2010)."
A groundbreaking ecocritical study that examines how ideas about the natural and built environment informed architectural and decorative trends of the Roman Late Republican and Early Imperial periods. Landscape emerged as a significant theme in the Roman Late Republican and Early Imperial periods. Writers described landscape in texts and treatises, its qualities were praised and sought out in everyday life, and contemporary perceptions of the natural and built environment, as well as ideas about nature and art, were intertwined with architectural and decorative trends. This illustrated volume examines how representations of real and depicted landscapes, and the merging of both in visual spac...
This synopsis of the Apocryphon of John presents the four Coptic text (NHC II,1; III,1 and IV,1; with BG 8502) in parallel columns with English translations in similar arrangement beneath the Coptic text. Important parallel texts are included in an appendix. The volume also contains a research bibliography on the Apocryphon of John and an index of Coptic and Greek words.