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Salzburg
Aus dem Inhalt: Ewald Hiebl, Zahme Viertelstunde oder heisse Revolution? Die Lebenswelt(en) der 68er in Salzburg; Robert Hoffmann, Akademische Eliten in Salzburg nach 1945; Norbert Ramp, Auf der Durchreise. Judische DPs 1945-1949; Hanns Haas, Die kleine burgerliche Welt. Fallstudie; Robert Kriechbaumer, Das Ende der (partei)politischen Lebenswelten. Zur Wandlungsdynamik der Politischen Kultur der Stadt Salzburg 1945-2000; Christian Dirninger, Handel im Wandel - Vom Greissler zum Supermarkt; Harald Waitzbauer, Salzburger Festspielatmosphare in den funfziger und sechziger Jahren; Brunhilde Scheuringer, Die sozialen Milieus der Volksdeutschen in der Stadt Salzburg nach 1945.
The Gramophone
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The Piano
A fascinating history of the piano explored through 100 pieces chosen by one of the UK’s most renowned concert pianists An astonishingly versatile instrument, the piano allows just two hands to play music of great complexity and subtlety. For more than two hundred years, it has brought solo and collaborative music into homes and concert halls and has inspired composers in every musical genre—from classical to jazz and light music. Charting the development of the piano from the late eighteenth century to the present day, pianist and writer Susan Tomes takes the reader with her on a personal journey through 100 pieces including solo works, chamber music, concertos, and jazz. Her choices include composers such as Bach, Mozart, Beethoven, Robert Schumann, Tchaikovsky, Debussy, Gershwin, and Philip Glass. Looking at this history from a modern performer’s perspective, she acknowledges neglected women composers and players including Fanny Mendelssohn, Maria Szymanowska, Clara Schumann, and Amy Beach.
Gramophone
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Divas and Scholars
"Divas and Scholars" is a dazzling and beguiling account of how opera comes to the stage, filled with Philip Gossett's personal experiences of triumphant - and even failed - performances and suffused with his towering passion for music. Gossett, the world's leading authority on the performance of Italian opera, brings to life the problems, and occasionally the scandals, that attend the production of some of our favorite operas.Gossett begins by tracing the social history of nineteenth-century Italian theaters in order to explain the nature of the musical scores from which performers have long worked. He then illuminates the often hidden but crucial negotiations between what is written and how it is interpreted by opera conductors and performers.
Profil
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