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The Late Tang
" The poetry of the Late Tang often looked backward, and many poets of the period distinguished themselves through the intensity of their retrospective gaze. Chinese poets had always looked backward to some degree, but for many Late Tang poets the echoes and the traces of the past had a singular aura. In this work, Stephen Owen resumes telling the literary history of the Tang that he began in his works on the Early and High Tang. Focusing in particular on Du Mu, Li Shangyin, and Wen Tingyun, he analyzes the redirection of poetry that followed the deaths of the major poets of the High and Mid-Tang and the rejection of their poetic styles. The Late Tang, Owen argues, forces us to change our very notion of the history of poetry. Poets had always drawn on past poetry, but in the Late Tang, the poetic past was beginning to assume the form it would have for the next millennium; it was becoming a repertoire of available choices--styles, genres, the voices of past poets. It was this repertoire that would endure. "
Myth and the Making of History
Myth and the Making of History examines the relationship between myth and history in early China, a topic that has been explored by American paleographer and scholar of ancient China Sarah Allan throughout her career. Allan has worked at a crucial and sensitive intersection, where myth and history collide at the very heart of China's origin story. Her work has created an intellectual space in which the disciplines of philosophy, history, anthropology, archeology, philology, and literature have come together, helping to change the way scholars conceive of historical patterns in China's past. In Myth and the Making of History, eleven senior and emerging scholars, from both China and the West, respond to the intellectual challenge raised by Allan's theoretical model of analysis of mythologized and historical figures (and even dynasties) that have intrigued scholars for generations and play a central role in the Chinese historical imagination. The book will be of great interest to all scholars and students of China—of whatever level and discipline—and, indeed, those concerned with other early civilizations as well.
The History of Literature in Sui, Tang and Five Dynasties
The book is the volume of “The History of Literature in Sui, Tang and Five Dynasties” among a series of books of “Deep into China Histories”. The earliest known written records of the history of China date from as early as 1250 BC, from the Shang dynasty (c. 1600–1046 BC) and the Bamboo Annals (296 BC) describe a Xia dynasty (c. 2070–1600 BC) before the Shang, but no writing is known from the period The Shang ruled in the Yellow River valley, which is commonly held to be the cradle of Chinese civilization. However, Neolithic civilizations originated at various cultural centers along both the Yellow River and Yangtze River. These Yellow River and Yangtze civilizations arose millen...
Radiology of Parasitic Diseases
This book primarily summarizes the imaging characteristics and theory of parasitic disease, offering a clinical guide and practical approach to understanding, preventing and diagnosing parasitic disease. Through imaging diagnosis and cross-research of imaging with autopsy and pathology, it highlights the chief characteristics and evolution of imaging, which provides primary scientific data for the understanding and research of parasitic disease. Divided into 9 chapters, this volume is fully illustrated with DR, CT and MRI images of different kinds of parasitic diseases, providing a valuable resource for radiologists in this field.
No Moonlight in My Cup
This work is an anthology of 225 translated and annotated Sinitic poems (kanshi 漢詩) composed in public and private settings by nobles, courtiers, priests, and others during Japan’s Nara and Heian periods (710-1185). The authors have supplied detailed biographical notes on the sixty-nine poets represented and an overview of each collection from which the verse of this eminent and enduring genre has been drawn. The introduction provides historical background and discusses kanshi subgenres, themes, textual and rhetorical conventions, styles, and aesthetics, and sheds light on the socio-political milieu of the classical court, where Chinese served as the written language of officialdom and the preeminent medium for literary and scholarly activity among the male elite.
The Problem of Beauty
"The intense piety of late T’ang essays on Buddhism by literati has helped earn the T’ang its title of the “golden age of Chinese Buddhism.” In contrast, the Sung is often seen as an age in which the literati distanced themselves from Buddhism. This study of Sung devotional texts shows, however, that many literati participated in intra-Buddhist debates. Others were drawn to Buddhism because of its power, which found expression and reinforcement in its ties with the state. For some, monasteries were extravagant houses of worship that reflected the corruption of the age; for others, the sacrifice and industry demanded by such projects were exemplars worthy of emulation. Finally, Buddhi...
Advances in Computer, Communication, Control and Automation
The volume includes a set of selected papers extended and revised from the 2011 International Conference on Computer, Communication, Control and Automation (3CA 2011). 2011 International Conference on Computer, Communication, Control and Automation (3CA 2011) has been held in Zhuhai, China, November 19-20, 2011. This volume topics covered include signal and Image processing, speech and audio Processing, video processing and analysis, artificial intelligence, computing and intelligent systems, machine learning, sensor and neural networks, knowledge discovery and data mining, fuzzy mathematics and Applications, knowledge-based systems, hybrid systems modeling and design, risk analysis and management, system modeling and simulation. We hope that researchers, graduate students and other interested readers benefit scientifically from the proceedings and also find it stimulating in the process.
