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The Intellectual Foundations of Chinese Modernity
In the early twentieth century, China was on the brink of change. Different ideologies - those of radicalism, conservatism, liberalism, and social democracy - were much debated in political and intellectual circles. Whereas previous works have analyzed these trends in isolation, Edmund S. K. Fung shows how they related to one another and how intellectuals in China engaged according to their cultural and political persuasions. The author argues that it is this interrelatedness and interplay between different schools of thought that are central to the understanding of Chinese modernity, for many of the debates that began in the Republican era still resonate in China today. The book charts the development of these ideologies and explores the work and influence of the intellectuals who were associated with them. In its challenge to previous scholarship and the breadth of its approach, the book makes a major contribution to the study of Chinese political philosophy and intellectual history.
The Culture of Power
In 1971, Lin Biao, Mao Zedong's closest comrade-in-arms and chosen successor, was killed in a mysterious plane crash in Mongolia. This book challenges the official explanation that Lin was fleeing to the Soviet Union after an unsuccessful coup attempt.
The Tragedy of Lin Biao
The Lin Biao affair, which saw the Minister of Defence dramatically rise to become Mao Zedong's designated successor at the start of the Cultural Revolution in 1966 and, even more dramatically, die in a plane crash while fleeing his country in September 1971, remains the least understood of all Chinese Communist Party elite conflicts of the Maoist era. Despite the pivotal importance of Lin's rise and fall in the history of contemporary China, his career has received little scholarly attention. In this pathbreaking study Frederick Teiwes and Warren Sun offer an interpretation which radically undermines the standard view of Lin Biao as an ambitious politician who manoeuvred his way to the top,...
Turbulent Decade
Yan Jiaqi, one of the principal leaders of China's pro-democracy movement, and his wife, Gao Gao, a noted sociologist, set out to write a comprehensive narrative account of the Great Proletariat Cultural Revolution, which occurred in the second decade after Mao Zedong and his comrades came to power. It appeared in Hong Kong in 1986, and was quickly banned by the Communist government. Not surprisingly, censorship and restricted circulation in China resulted in underground reproduction and serialization. The work was thus widely read, coveted, and appreciated by a populace who had just freed itself from the cultural drought and political dread of the event. Yan and Gao later spent two years re...
Anxiety in Older People
A comprehensive guide to late-life anxiety for all mental health workers, covering recent research and evolving techniques and strategies.
Animacies
Rethinks the criteria governing agency and receptivity, health and toxicity, productivity and stillness
The Art of Women in Contemporary China
This book presents in eight chapters the work of over 75 Chinese female artists, both pictorial and poetic. Their art is viewed within a framework of eight themes. The broad topics explored include the body; life; the representation of the experience of being a woman; home and the world; a view of children and other women; clothes; social conscience; fantasy; and abstraction—nonfigurative work and its viability as a medium to express the spiritual. These themes provide several lenses through which to enjoy and compare these artists’ approaches and outputs. The volume is unique in its inclusion of poetry by contemporary women whose voices articulate so many of the same concerns as the visual artists. In China, poetry has always been the prime form of artistic expression, and it remains so today. Looking at this poetry affords us a different means of appreciating the art of women in contemporary society.
