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City B, international convention center. "At last but not least, may China and XX continue to grow strong together." "Last but not least, I hope China and XX can continue to cooperate for sustainable development." The applause was thunderous, lasting half a day until the end of the conference. Tan Hoanh took off his headphones, didn't leave in a hurry, sat there, looking at the commotion outside the door from the small door, some people just went and talked, there was a place to grab five and three to leave. Tan Hoanh is a twenty-two-year-old live interpreter, participating in an important international conference is not easy. There are a lot of red-eyed people in the back, there aren't many...
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Of Mind and Machine provides a broad perspective on multi-level dialogic engagements between text and reader as seen from the use of language in presenting information to generate a discursive experience in various sociocultural settings. The book observes contexts such as national literature in translation, diplomatic speech events, visual-verbal inter-semiotic translation, second language learning, interpreter training, and computer-aided teaching of translation and bilingual writing. These present a unifying interest in textual accountability between form, function, and effect that has been examined from a dual perspective of rhetoric and pragmatics. The research embodies a significant pr...
David Beard presents the first definitive survey of Harrison Birtwistle's music for the opera house and theatre, from his smaller-scale works, such as Down by the Greenwood Side and Bow Down, to the full-length operas, such as Punch and Judy, The Mask of Orpheus and Gawain. Blending source study with both music analysis and cultural criticism, the book focuses on the sometimes tense but always revealing relationship between abstract musical processes and the practical demands of narrative drama, while touching on theories of parody, narrative, pastoral, film, the body and community. Each stage work is considered in terms of its own specific musico-dramatic themes, revealing how compositional scheme and dramatic conception are intertwined from the earliest stages of a project's genesis. The study draws on a substantial body of previously undocumented primary sources and goes beyond previous studies of the composer's output to include works unveiled from 2000 onwards.
The Bhomantaka, or the Death of Bhoma, is a wide-ranging tale of the sweet romance of Samba and Yajñawati, of the defeat of the demon Bhoma by King Kresna and his minions in a truly monumental battle, and many more incidents and descriptions, a product of the sophisticated literary tradition of early Java. The poem is written in Old Javanese (composed by an author who does not mention his name or that of his king), in an idiom that presents many difficulties for the modern reader. This book contains an edition of the text, a translation, and an extensive explanatory introduction—enough to make the work accessible—and was produced by a team of two, both senior scholars of Old Javanese an...
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