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Akhtaribai Faizabadi, or Begum Akhtar as she was better known, was a legend even during her own lifetime, and one of the last of the great singers from the tawaif community. Akhtari documents her eventful life and her music through essays and reminiscences by some of her closest friends and associates, and by people who knew her work deeply -- including the likes of Bismillah Khan, Lata Mangeshkar, Shubha Mudgal, etc. The volume also includes long interviews with Begum Akhtar herself as well as some of her disciples. A bestseller in the original Hindi -- and now available in English -- this is a volume to treasure for all of Begum Akhtar's fans and lovers of music.
Girija: A Journey through Thumri is not about the Benaras gharana, or Girija Devi the reigning queen of Thumri or Purab Anggayaki. It is the portrait of an artiste and a journey in music, as seen by a poet. Written with a deep sense of gratitude bordering on reverence, this book presents Girija Devi in all her manifestations: singer, Guru, householder, bhakta. Amazingly, she manages to project herself as a very credible, flesh-and-blood person of the here-and-now world: someone who can sing on-the-verge-of-extinction compositions with the same effortless ease as she rustles up a meal and watches an Amitabh Bachchan film. Humility and majesty, non-attachment and deep attachment: apparent cont...
An ode to the majestic life of the late Lata Mangeshkar, Lata: A Life in Music celebrates art in its totality and tells the life story of India's most loved vocal artists. The result of Yatindra Mishra's decade-long dialogue with the great singer, it also explores the lesser-known aspects of the great artist, introducing the readers to Lata Mangeshkar as an intellectual and cultural exponent and providing a rare glimpse into the person behind the revered enigma. At the confluence of cinema, music and literature, this is the most definitive biography of the voice of the nation that also documents sociocultural changes from the late British era through post-Independent India right up to the twenty-first century. This is the story of the various myths, mysteries, truths and contradictions which make a human an icon and also make an icon incredibly humane.
Not all history is recorded in school textbooks I tried to make a brief book including all the fascinating,forgotten, wonderful and proud moments of Indian history that would otherwise be lost forever. This book lights on the powerful empires, powerful kings, the powerful kingdoms and powerful zamindari.
Dancing Women: Choreographing Corporeal Histories of Hindi Cinema, an ambitious study of two of South Asia's most popular cultural forms -- cinema and dance -- historicizes and theorizes the material and cultural production of film dance, a staple attraction of popular Hindi cinema. It explores how the dynamic figurations of the body wrought by cinematic dance forms from the 1930s to the 1990s produce unique constructions of gender, sexuality, stardom, and spectacle. By charting discursive shifts through figurations of dancer-actresses, their publicly performed movements, private training, and the cinematic and extra-diegetic narratives woven around their dancing bodies, the book considers t...
India 2018 - A Reference Annual is a comprehensive digest of country's progress in different fields. The book deal with all aspects of development-from rural to urban, industry to infrastructure, science and technology, art and culture, economy, health, defence, education and mass communication. The sections on general knowledge, current affairs, sports and important events, are a must read for comprehensive understanding of these fields. With its authenticity of facts and data, the book is a treasure for students, researchers and academicians.
The Sounds of Silent Films is a unique collection of investigatory and theoretical essays that, for the first time, unite up-to-date research on the complex historical performance practices of silent film accompaniment with in-depth analyses of relevant case studies.
This book is a comprehensive anthology comprising essays on women film directors, producers and screenwriters from Bollywood, or the popular Hindi film industry. It derives from the major theories of modernity, postmodern feminism, semiotics, cultural production, and gender performativity in globalized times. The collection transcends the traditional approaches of looking at films made by women filmmakers as ‘feminist’ cinema, and focuses on an extraordinary group of women filmmakers like Ashwini Iyer Tiwari, Bhavani Iyer, Farah Khan, Mira Nair Vijaya Mehta, and Zoya Akthar. The volume will be of interest to academics and theorists of gender and Hindi cinema, as well as anybody interested in contemporary Hindi films in their various manifestations.