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The Ocean of Heroes
The Śrīḍākārṇavamahāyoginītantrarāja (abbreviated to Ḍākārṇava, “Ocean of Ḍākas or Heroes”) is one of the last scriptures belonging to the Buddhist Saṃvara tradition in South Asia. It was composed in the eastern area of the Indian subcontinent sometime between the late 10th and 12th centuries, and its extant version was most likely compiled around the early 12th century. Chapter 15 of the Ḍākārṇava, (hereafter Ḍākārṇava 15) teaches a large-scale and elaborate maṇḍala of the highest god Heruka that comprises 986 major deities. This monograph presents the first critical edition and English translation (with annotation) of the Sanskrit text of the Ḍā...
The Generalissimo's Son
Chiang Ching-kuo, son and political heir of Generalissimo Chiang Kai-shek, was born in 1910, when Chinese women, nearly all illiterate, hobbled about on bound feet and men wore pigtails as symbols of subservience to the Manchu Dynasty. In his youth Ching-kuo was a Communist and a Trotskyite, and he lived twelve years in Russia. He died in 1988 as the leader of Taiwan, a Chinese society with a flourishing consumer economy and a budding but already wild, woolly, and open democracy. He was an actor in many of the events of the last century that shaped the history of China's struggles and achievements in the modern era: the surge of nationalism among Chinese youth, the grand appeal of Marxism-Le...
High-Dimensional Data Analysis with Low-Dimensional Models
Connects fundamental mathematical theory with real-world problems, through efficient and scalable optimization algorithms.
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Thought and Play in Musical Rhythm
Thought and Play in Musical Rhythm offers new understandings of musical rhythm through the analysis and comparison of diverse repertoires, performance practices, and theories as formulated and transmitted in speech or writing. Editors Richard K. Wolf, Stephen Blum, and Christopher Hasty address a productive tension in musical studies between universalistic and culturally relevant approaches to the study of rhythm. Reacting to commonplace ideas in (Western) music pedagogy, the essays explore a range of perspectives on rhythm: its status as an "element" of music that can be usefully abstracted from timbre, tone, and harmony; its connotations of regularity (or, by contrast, that rhythm is what ...
The Second Link
2023 marks the 60th year since the formation of the Federation of Malaysia, comprising the Federation of Malaya, Sabah, Sarawak – and Singapore. For Malaysians, 1963 is of profound national significance. For Singaporeans, the more memorable year might be 1965, the year of separation and subsequent independence. Yet for two fateful years, the destinies of the two countries were conjoined. The kinship, affinity – and tensions – are still keenly felt today. This collection brings together writers from both countries to reflect creatively and critically upon this sense of entwinement – to celebrate, to reflect, and to rue, in the tradition of volumes such as The Second Tongue (ed. Edwin Thumboo, 1976). Featured writers include: Anitha Devi Pillai, Anna Onni, Arjun Sai Krishnan, Benedict Lim, Brandon Liew, Clara Chow, Clarissa Oon, Daryl Li, Elaine Chiew, Heng Jia Min, Ho Kin Yunn, ila, Jocelyn Marcia Ng, Jonathan Chan, Joshua Ip, Kevin Martens Wong, Malachi Edwin Vethamani, Mohamed Shaker, Ng Yi-Sheng, Noor Iskandar, Paul Augustin, Rachel Fung, Sharmini Aphrodite, Sheena Gurbakhash, Sofia Mariah Ma, Sreedhevi Iyer, Sumitra Selvaraj, Tse Hao Guang, Yu Kai Tan, Zhang Ruihe
South China Sea
Sailing Directions 161 (Enroute) covers the South China Sea and the Gulf of Thailand from the Luzon Strait and the Gulf of Tonkin to the Gulf of Thailand and the northern border of Borneo, including the coast of Vietnam and the Paracel Islands and Reefs. It is issued for use in conjunction with Sailing Directions 120 (Planning Guide) Pacific Ocean and Southeast Asia. Companion volumes are Sailing Directions 162, 163, and 164.
Religion and Politics in Contemporary Iran
Indispensable for understanding the recent conflicts in Iran, Religion and Politics in Contemporary Iran provides a political history of the fluctuating relationships between the Islamic clergy and Iranian government since 1925. How different factions of the clergy, or ulama first lost and then regained a powerful position in Iran is the subject of this book. Akhavi analyzes how various factions within the clergy have responded to the governments efforts to encourage modernization and secularization, giving particular attention to the changes in the madrasahs, or theological colleges. He examines the main themes of the AyatullaH Khymaynis book, Islamic Government, and concludes by examining the alignments among the clergy in the past that indicate how they may develop in the future.
Musical Tradition of the Eastern European Synagogue
This volume includes multiple renditions of every prayer, thus illustrating the broad diversity within traditional intonation of each prayer mode. In accordance with the traditional role assigned to the prayer leader of each service, renditions are presented at levels appropriate to the lay cantor (baal t'filo) as well the professional cantor (chazz'n). Liturgical texts that were traditionally intoned by cantor and choir, or by choir alone, are also included. Annotative commentary explains the liturgical role and character of each service and analyzes the musical content of each prayer mode within it. It also explains the techniques employed in applying the prayer mode to specific liturgical texts and how the applications reflect the literal as well as spiritual content of the texts. This set comprises four books covering the fourteen weekday liturgical occasions, with annotated commentary.
The Philosophy of Ecstasy
Jalal al-Din Rumi (1207-73), founder of the Mevlevi Sufi order of “Whirling Dervishes,” is the best-selling poet in America today. The wide-ranging appeal of his work is such that UNESCO declared 2007 to be “International Rumi Year.” However, his writings represent much more than love poetry. Rumi was one of the preeminent thinkers of Sufism, the esoteric form of Islam. In this groundbreaking collection of 13 essays on Rumi, many of the world’s leading authorities in the field of Islamic Studies and Persian Literature discuss the major religious themes in his poetry and teachings. In addition to discussing the ideas of love, ecstasy, and music in Rumi’s Sufi poetry, the essays offer new historical and theological perspectives on his work. The immortality of the soul, freewill, the nature of punishment and reward, and the relationship of Islam to Christianity are all covered, in order to bring Rumi’s poetry properly into the context of the Sufi tradition to which he belonged.
