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Art Periodical Culture in Late Imperial Russia (1898-1917). Print Modernism in Transition offers a detailed exploration of the major Modernist art periodicals in late imperial Russia, the World of Art (Mir Iskusstva, 1899-1904), The Golden Fleece (Zolotoe runo, 1906-1909) and Apollo (Apollon, 1909-1917). By exploring the role of art reproduction in the nineteenth century and the emergence of these innovative art journals in the turn of the century, Hanna Chuchvaha proves that these Modernist periodicals advanced the Russian graphic arts and reinforced the development of reproduction technologies and the art of printing. Offering a detailed examination of the “inaugural” issues, which included editorial positions expressed in words and images, Hanna Chuchvaha analyses the periodicals’ ideologies and explores journals as art objects appearing in their unique socio-historical context in imperial Russia.
An exploration of the scandal surrounding Constantin Catacazy's appointment as Russian Ambassador to the United States, as well as its causes and consequences for diplomacy.
Despite growing academic interest in the Gulag, our knowledge of the camps as a lived experience remains relatively incomplete. Criminal Subculture in the Gulag, in its sophisticated analysis of crime, punishment and everyday life in Soviet labour camps, rectifies this. From Gulag journals and song collections to tattoo drawings and dictionaries of slang, Mark Vincent draws on often-overlooked archival material from the Moscow Criminological Bureau to reconstruct a fuller picture of Gulag daily life and society. In thematic chapters, Vincent maps the Gulag 'penal arc' of prisoners across initiation tests, means of communication, the importance of card playing, punishment rituals and the notorious 1948-52 cyka ('bitches') internal prison war between military veterans and vory-v-zakone. Most importantly, this timely examination of crime and punishment in modern Russia also highlights the lines of continuity between the Gulag systems, late Imperial Katorga,and today's Russian mafia. As such, this impressively interdisciplinary volume is important reading for all scholars of 20th-century Russia as well as those interested in international criminality and penology.
If the home remained a safe space for families during the Soviet occupation of Lithuania, why is it that the memories of women's domestic lives in Soviet Lithuania are so fragmented? In Family and the State in Soviet Lithuania, Dalia Leinarte deftly challenges the commonplace 'kitchen culture' idea that the home was a site of silent resistance where traditional Lithuanian values continued to be nurtured. Instead, this fascinating book reveals how the totalitarian state gradually abolished the private lives of Lithuanian families altogether. Based on over 100 interviews and an array of archival sources, this book analyses how family policy formed the everyday life of men and women and considers how the internalisation of Soviet ideology took place in the private sphere. From a well-developed after-school activity program for children to strict rules regarding the working hours of men and women, ultimately the family could not remain isolated from the regime. Family and the State in Soviet Lithuania is the first book to explore family policy in the Soviet Baltic states and is therefore a vital resource for scholars of Soviet and gender history.
'Above Kyiv there is a Golden Hum': The National Revolution in Kyiv -- In Search of 'a blue Savoy': The Bolshevik Revolution in Kharkiv -- Towards Soviet Literature in Ukrainian -- Defending Soviet Ukrainian Literature -- 'Ukraine or Little Russia': The Battle for Cultural Autonomy in 1926 -- State Appropriation of Literature during the First Five-Year Plan.
How and why does the stage, and those who perform upon it, play such a significant role in the social makeup of modern Russia, Ukraine and Belarus? In New Drama in Russian, Julie Curtis brings together an international team of leading scholars and practitioners to tackle this complex question. New Drama, which draws heavily on techniques of documentary and verbatim writing, is a key means of protest in the Russian-speaking world; since the fall of the Soviet Union in 1991, theatres, dramatists, and critics have collaborated in using the genre as a lens through which to explore a wide range of topics from human rights and state oppression to sexuality and racism. Yet surprisingly little has b...
In modernizing Russia, obshchestvennost', an indigenous Russian word, began functioning as a term to illuminate newly emerging active parts of society and their public identities. This volume approaches various phenomena associated with the term throughout the revolution, examining it in the context of the press, public opinion, and activists.
"By analysing the periodicals produced in late Soviet Leningrad, The Culture of Samizdat makes use of oral and written testimonies to examine the role of Samizdat activists in late Soviet Russia. Crucially, as well as providing new insight into Samizdat texts, the book employs an interdisciplinary theoretical approach which draws on both the sociology of reading and book history. In doing so, von Zitzewitz uncovers the importance of 'middlemen' - including editors, readers and typists - in the Samizdat subculture"--
What happens when people are reduced to products? By pulling back the clinical curtain on the multi-billion-dollar per year global egg industry, that is the central question Eggonomics seeks to address. Tracing the emotional and physical journeys egg donors embark upon as suppliers of valuable commodities, this book reveals uncomfortable realities at the heart of the industry. Donors — and the eggs they provide — are absolutely essential to helping others create the families of their dreams. But not all clinics treat their donors as well as their paying patients, and many donors suffer as a result. Technological innovations allow the egg donation industry to expand, fueling the private e...
This book looks at the roots of a global visual news culture: the trade in illustrations of the news between European illustrated newspapers in the mid-nineteenth century. In the age of nationalism, we might suspect these publications to be filled with nationally produced content, supporting a national imagined community. However, the large-scale transnational trade in illustrations, which this book uncovers, points out that nineteenth-century news consumers already looked at the same world. By exchanging images, European illustrated newspapers provided them with a shared, transnational, experience.