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Japanese Horror Culture
Contemporary Japanese horror is deeply rooted in the folklore of its culture, with fairy tales-like ghost stories embedded deeply into the social, cultural, and religious fabric. Ever since the emergence of the J-horror phenomenon in the late 1990s with the opening and critical success of films such as Hideo Nakata’s The Ring (Ringu, 1998) or Takashi Miike’s Audition (Ôdishon, 1999), Japanese horror has been a staple of both film studies and Western culture. Scholars and fans alike throughout the world have been keen to observe and analyze the popularity and roots of the phenomenon that took the horror scene by storm, producing a corpus of cultural artefacts that still resonate today. F...
The Anatomy of Loneliness
Introduction : disconnected people and the lonely society -- Subjectivity and empathy -- Too lonely to die alone : internet group suicide -- Connecting the disconnected : suicide websites -- Meaning in life : exploring the need to be needed among young Japanese -- Surviving 3.11 -- The anatomy of resilience -- What loneliness can teach us.
Hounded
“I think my wife might be right. I am going slightly mad.” Hounded is an escape from the anxiety of reaching a half-century, written during the pandemic of 2020 and into the spring of 2021, during which comedy writer Vince Stadon experienced every film, TV, audio drama, spoken word reading, documentary, stage play, pastiche, graphic novel, animation, kids cartoon, and PC game version of The Hound of the Baskervilles. A quirky, funny and unique memoir about Spectral Hounds, Consulting Detectives, panic attacks and way too many cats, Hounded is a bewildered middle-aged man's silly odyssey through a binge experience of every conceivable version of Sir Arthur Conan Doyle's celebrated novel. ...
Health and the Media
Analyzing the relationship between medicine and the media from different perspectives, these new essays fill a gap in this emerging field, providing new information on approaches to health communication and important reevaluations of health literacy theories. The contributors discuss ideas and methodologies across a range of topics, including multifaceted health communication, media coverage of maternal health, the rhetoric of diagnosis in autoimmune illness, media representation of the sick in data-driven healthcare, and health news coverage in print media.
Infectious Forest Diseases
Today, forest health and the management of threats towards it are attracting more and more attention on a global scale. This book covers the most recent advances in the management of forest diseases, including the epidemiology and infection biology of forest pathogens, and forest protection based on integrated pest and disease management approaches. A comprehensive range of diseases caused by viruses, bacteria, fungi and other organisms are discussed in detail, making this book essential reading for forest managers and extension specialists. Written by recognized authorities in the subject of forest health, this book also provides a wealth of information useful for researchers and lecturers of forest pathology and ecology.
Transnational Asian Identities in Pan-Pacific Cinemas
This collection examines the exchange of Asian identities taking place at the levels of both film production and film reception amongst pan-Pacific cinemas. The authors consider, on the one hand, texts that exhibit what Mette Hjort refers to as, "marked transnationality," and on the other, the polysemic nature of transnational film texts by examining the release and reception of these films. The topics explored in this collection include the innovation of Hollywood generic formulas into 1950's and 1960's Hong Kong and Japanese films; the examination of Thai and Japanese raced and gendered identity in Asian and American films; the reception of Hollywood films in pre-1949 China and millennial Japan; the production and performance of Asian adoptee identity and subjectivity; the political implications and interpretations of migrating Chinese female stars; and the production and reception of pan-Pacific co-productions. .
