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Women of Chinese Modern Art
Bringing to light the largely overlooked female participation in domestic and international art worlds, this book offers the first comprehensive study of how women embroiderers, traditionalist calligraphers and painters, including Shen Shou, Wu Xingfen, Jin Taotao, and members of Chinese Women’s Society of Calligraphy and Painting, shaped the terrain of the modern art world and gender positioning during China’s important moments of social-cultural transformation from empire to republic. Drawing on a wealth of previously unexhibited artworks, rare artist’s monographs, women’s journals, personal narratives, diaries, and catalogs of international expositions, Doris Sung not only affirms women’s significant roles as guardian and innovator of traditionalist art forms for a modern nation, but she also reveals their contribution to cultural diplomacy and revaluation of Chinese artistic heritage on the international stage in the early twentieth century.
Citizens, Civil Society and Heritage-making in Asia
This volume is based on papers from the second in a series of three conferences that deal with the multi-scalar processes of heritage-making, ranging from the local to the national and international levels, involving different players with different degrees of agency and interests. These players include citizens and civil society, the state, and international organizations and actors. The current volume focuses on the role of citizens and civil society in the politics of heritage-making, looking at how these players at the grass-roots level make sense of the past in the present. Who are these local players that seek to define the meaning of heritage in their everyday lives? How do they negotiate with the state, or contest the influence of the state, in determining what their heritage is? These and other questions will be taken up in various Asian contexts in this volume to foreground the local dynamics of heritage politics.
Cultural Transplantation: The Writing of Classical Chinese Poetry in Colonial Singapore (1887‒1945)
Classical-style poetry in modern China and other Sinitic-speaking localities is attracting greater attention with the recent upsurge in academic revision of modern Chinese literary history. Using the concept of cultural transplantation, this monograph attempts to illustrate the uniqueness, compatibility, and adaptability of classical Chinese poetry in colonial Singapore as well as its sustained connections with literary tradition and homeland. It demonstrates how the reading of classical Chinese poetry can better our understanding of Singapore’s political, social, and cultural history, deepen knowledge of the transregional relationship between China and Nanyang, and fine-tune, redress, and enrich our perception of Singapore Chinese literature, Sinophone literature, the Chinese diaspora, and global Chinese identity.
Advances in Intelligent Systems and Interactive Applications
This edited book is based on the research papers presented at the 4th International Conference on Intelligent, Interactive Systems and Applications (IISA2019), held on June 28–30, 2019 in Bangkok, Thailand. Interactive intelligent systems (IIS) are systems that interact with human beings, media or virtual agents in intelligent computing environments. This book explores how novel interactive systems can intelligently address various challenges and also limitations previously encountered by human beings using different machine learning algorithms, and analyzes recent trends. The book includes contributions from diverse areas of IIS, here categorized into seven sections, namely i) Intelligent Systems; ii) Autonomous Systems; iii) Pattern Recognition and Computer Vision; iv) E-Enabled Systems; v) Internet & Cloud Computing; vi) Mobile & Wireless Communication; and vii) Various Applications. It not only presents theoretical knowledge on the intelligent and interactive systems but also discusses various applications pertaining to different domains.
The Making of a Modern Art World
The Making of A Modern Art World explores the artistic institutions and discursive practices prevailing in Republican Shanghai, aiming to reconstruct the operational logic and the stratified hierarchy of Shanghai’s art world. Using guohua as the point of entry, this book interrogates the discourse both of guohua itself, and the wider discourse of Chinese modernism in the visual arts. In the light of the sociological definition of ‘art world’, this book contextualizes guohua through focusing on the modes of production and consumption of painting in Shanghai, examining newly adopted modern artistic practices, namely, art associations, periodicals, art colleges, exhibitions, and the art market.
Rebirth: Tender Love
The Wealthy Class woman Cao Xiaolian was surprised to find out that the person beside her gentle and refined pillow was actually a wolf in sheep's clothing!He said: "If a man is rich, he will turn bad. Who told you to be so weak, didn't you say you were lusting after money with me?"When her heart was at its end, heaven gave her a new chance to return to her fifteenth birthday.That year, she was still innocent; that year, her mother and sister were still alive and family were at peace; that year, there was still a chance for her to make a comeback ...
