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Unites eschatologically charged biblical Christology with metaphysical and dogmatic Thomistic Christology, by highlighting shared typological Christologies.
Revision of the author's thesis (doctoral)--University of Aberdeen, 2005.
This book proposes a fresh understanding of the literary composition of Luke-Acts. Picking up on the ancient practice of literary mimesis, the author argues that Luke’s two-part narrative is subtly but significantly modeled on the two-part narrative found in the books of Samuel-Kings and Chronicles. Specifically, Luke’s gospel presents Jesus as the promised, ultimate Davidide, while the Book of Acts presents the disciples of Jesus as the heirs of the kingdom of David. In addition to the proposal concerning the composition of Luke-Acts, the book offers compelling insights on the genre of Luke-Acts and the purpose of Acts.
In Luke-Acts, Jesus can be seen to take on the attributes of the Davidic shepherd king, a representation successfully conveyed through specific narrative devices. The presence of the shepherds in the birth narrative can be understood as an indication of this understanding of Jesus. Sarah Harris analyses the multiple ways scholars have viewed the shepherds as characters in the narrative, and uses this as an example of how the theme of Jesus' shepherd nature is interwoven into the narrative as a whole. From the starting point of Jesus' human life, Harris moves to later events portrayed in Jesus' ministry in which he is seen to enact his message as God's faithful Davidic shepherd, in particular, the parable of the Lost Sheep and the Zacchaeus pericope (19:1-10). Harris uses this latter encounter to underline that Jesus may be hailed as a King by the crowds as he enters Jerusalem, but he is not simply a king. He is God's Davidic Shepherd King, as prophesied in Micah 5 and Ezekiel 34, who brings the gospel of peace and salvation to the earth.
H. Daniel Zacharias presents a literary-critical analysis of the Gospel of Matthew and its interaction with Davidic tradition and use of Davidic typology. Throughout the narrative, the evangelist makes pervasive use of Davidic tradition from the Old Testament in his portrayal of Jesus. This begins from the first verse and the declaration that Jesus is the Son of David, and culminates in Jesus' usage of Psalm 22's Davidic lament on the cross. Davidic material is present throughout Matthew, in allusion, in specific citations, in thematic material. In addition, Matthew makes use of Davidic typology numerous times, with David as type and Jesus as anti-type. Zacharias shows how the use of Davidic...
This haiku book provides an invaluable guide to developing your own haiku-writing skills, with clear explanations, brilliant examples, and innovative writing exercises. It also offers an introduction to related Japanese poetic forms including: Senryu—commentaries on human nature that are often humorous or ironic Haibun—short, autobiographical narratives accompanied by a haiku Tanka—imaginative poems full of highly personal, emotional expressions Haiga—drawings accompanied by commentary in haiku form Renga—a collaborative form featuring linked sequences of poetry How to Haiku is a wonderful resource for anyone who wants to try their hand at this precise and poetic form of expression.
In this careful and provocative study, Chad Thornhill considers how Second Temple understandings of election influenced key Pauline texts with sensitivity to social, historical and literary factors. While Paul is able to move beyond ancient categories of a collective view of election, Thornhill shows how he also follows these patterns.
Drawing on David texts, Matthew makes the narrative case for an unexpected messiah--one who does not kill but is instead killed by the Romans.
Kings, Deliverers, and Prophets brings a new biblical perspective to the much-debated question of the meaning of Luke’s journey narrative. Dennis W. Chadwick identifies and documents three extended sequences of Old Testament echoes in Luke 9–19 by which Luke confirms that Jesus is the eschatological king, the eschatological deliverer, and the eschatological prophet.
Sparrows Playing hide-and-seek Among the tea blossoms. —Kobayashi Issa Haiku, the traditional Japanese verse form composed of seventeen syllables, can express a dramatic scene or philosophical idea in a single line of verse. In this collection, haiku poet Yuzuru Miura has selected and translated poems by past masters such as Basho and Buson, as well as haiku by contemporary poets. Fireflies, pheasants, a summer shower, winter snow, camellias—all the favorite haiku subjects are included among the one hundred poems of this impressive anthology. Classic Haiku evokes the peace and serenity of the Japanese way of life.