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The book "Between Adaptation and Revolt. Discussions and Research Trends in Bulgarian Philosophy" brings together seven studies, which analyses some of the main discussions in Bulgarian philosophy, and offers also philosophical portraits of contemporary Bulgarian scholars of different generations: Nikolay Raynov, Azarya Polikarov, Julia Kristeva, Rosen Stupoff and Hristo Stoev. As in her previous books on Contemporary Western Philosophy, Yvanka Raynova uses here the approach of comparative and translative hermeneutics. This allows her to prove two main theses. Firstly, unlike some authors who consider Bulgarian philosophy and culture to be characterized by a lack of tradition, she maintains ...
In her Introduction, Tymieniecka states the core theme of the present book sharply: Is culture an excess of nature's prodigious expansiveness - an excess which might turn out to be dangerous for nature itself if it goes too far - or is culture a 'natural', congenial prolongation of nature-life? If the latter, then culture is assimilated into nature and thus would lose its claim to autonomy: its criteria would be superseded by those of nature alone. Of course, nature and culture may both still be seen as being absorbed by the inner powers of specifically human inwardness, on which view, human being, caught in its own transcendence, becomes separated radically in kind from the rest of existenc...
This book offers a detailed analysis of Beauvoir's concepts of freedom and recognition concerning their impact on a philosophy of gender. It demonstrates that Beauvoir is much more than a simple equality feminist and that she posed questions that are at the center of contemporary feminist research. It shows that Beauvoir's existentialist approach must be taken seriously in that it provides a fundamental instrument for the interpretation of gender relations. On the basis of her work the conflicts are revealed that arise when modern emancipation theories and post-modern deconstructivism clash. By investigating these conflicting tendencies the thesis is elaborated that Beauvoirs's work can be seen as a pivot between modern and post-modern discourse.
Best known as the writer who introduced French existentialism to English-speaking readers through her translation of Sartre's Being and Nothingness, Hazel E. Barnes has written an autobiography that is both the success story of a professional woman as well as a profoundly moving reflection on growing older. Transcending the personal details of her life, Barnes' memoir stands as an important contribution to the intellectual history of our century. "An intimate record of our times and of the ongoing issues that challenge us to define ourselves over and over again."—Kirkus Reviews "An engaging autobiography that spans not only [Barnes'] self-identified period of 'flourishing' but virtually all the twentieth century."—Library Journal "Thoughtful, gracefully written reflections. . . . Readers will be glad they pursued an unusual woman's intellectual and personal journey."—Booklist "An accessible, wonderfully written book packed with wisdom and insight."—Denver Post "Absorbing and satisfying."—Gertrude Reif Hughes, Women's Review of Books
This volume contains the proceedings of a panel on the feminist work of Herta Nagl-Docekal, organized by Gertrude Postl within the context of a conference of the Association for Philosophy and Literature (APL). It includes papers on the practical application of Nagl-Docekal's work for feminist counseling services (Bettina Zehetner), on the interconnection of moral philosophy and epistemology (Waltraud Ernst), on feminist aesthetics (Cornelia Esianu), and on Nagl- Docekal's contributions to a feminist philosophy of religion (Brigitte Buchhammer). It concludes with a response by Herta Nagl-Docekal.
By exploring the life and work of the influential feminist thinker Simone de Beauvoir, this book shows how each of us lives within political and social structures that we can--and must--play a part in transforming. It argues that Beauvoir’s careful examination of her own existence can also be understood as a dynamic method for political thinking. As the contributors illustrate, Beauvoir's political thinking proceeds from the bottom up, using examples from individual lives as the basis for understanding and transforming our collective existence. For example, she embraced her responsibility as a French citizen as making her complicit in the French war against Algeria. Here, she sees her role...
Historically, phenomenology began in Edmund Husserl’s theory of mathematics and logic, went on to focus for him on transcendental rst philosophy and for others on metaphysics, philosophical anthropology, and theory of interpretation. The c- tinuing focus has thus been on knowledge and being. But if one began without those interests and with an understanding of the phenomenological style of approach, one might well see that art and aesthetics make up the most natural eld to be approached phenomenologically. Contributions to this eld have continually been made in the phenomenological tradition from very early on, but, so to speak, along the side. (The situation has been similar with phenomen...
Whitehead's thought continues to attract attention in mathematics and metaphysics, but few have recognized with Roland Faber, the deeply mystical dimensions of his philosophy. "If you like to phrase it so," Whitehead states, "philosophy is mystical. For mysticism is direct insight into depths as yet unspoken." Where, however, do these unspoken depths speak in Whitehead, and what are their associated themes in his philosophy? For the first time, Depths As Yet Unspoken gathers together Faber's most compelling writings on Whitehead's mutually immanent themes of mysticism, multiplicity, and divinity. In dialogue with a diversity of voices, from process philosophers and theologians, to mystical a...
This selection of essays examines the future of art in a changing world. In particular, contributors discuss the agency of art in conditions of ecological threats to the natural world, to climate change and the effects of globalisation, neoliberal economics and mass tourism. Following the lead of Chicago-based Frances Whitehead, whose essay is a key text, some contributors take positions on working with local government agencies to embed art-thinking within development projects, going back to the art-thinking at the centre of Kazimir Malevich’s work in Vitebsk one hundred years ago in Russia. Other papers highlight small-scale art interventions that bring ecological issues to public notice and suggest positive responses, whilst others discuss large-scale problems brought about by the social, economic and laissez-faire history of the emerging Anthropocene with possible dystopic outcomes.