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The Fabric of Cities presents an interdisciplinary collection of articles on urbanism in ancient Mesopotamia, Israel, Greece and Rome, which focuses on the social dimension of cities' topographical features. The contributions of this book offer investigations of neighbourhoods, city gates, streets, temples and palaces drawing on textual and archaeological sources as well as art. The topics treated in this work encompass the diverse functions of public and marginal spaces in Mesopotamian cities and Rome, the role of agency in the development of Babylonian neighbourhoods, the relationship between public and private in Assyrian palaces, the connection between political strategies and temple building in Sumerian literary texts, and the communicative uses of language in Classical Greek texts to talk about urban space.
In this 2005 book, leading historians examine sanctity and sacred space in Europe during and after the religious upheavals of the early modern period.
Manuscripts, Market and the Transition to Print in Late Medieval Brittany surveys the production and marketing of non-monastic manuscripts and printed books over 150 years in late medieval Brittany, from the accession of the Montfort family to the ducal crown in 1364 to the duchy's formal assimilation by France in 1532. Brittany, as elsewhere, experienced the shift of manuscript production from monasteries to lay scriptoria and from rural settings to urban centers, as the motivation for copying the word in ink on parchment evolved from divine meditation to personal profit. Through her analysis of the physical aspects of Breton manuscripts and books, parchment and paper, textual layouts, scripts and typography, illumination and illustration, Diane Booton exposes previously unexplored connections between the tangible cultural artifacts and the society that produced, acquired and valued them. Innovatively, Booton's discussion incorporates archival research into the prices, wages and commissions associated with the manufacture of the works under discussion to shed new light on their economic and personal value.
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Across Europe, the parish church has stood for centuries at the centre of local communities; it was the focal point of its religious life, the rituals performed there marked the stages of life from the cradle to the grave. Nonetheless the church itself artistically and architecturally stood apart from the parish community. It was often the largest and only stone-built building in a village; it was legally distinct being subject to canon law, as well as consecrated for the celebration of religious rites. The buildings associated with the "cure of souls" were sacred sites or holy places, where humanity interacted with the divine. In spite of the importance of the parish church, these buildings...
"Franz Liszt (1811-86) was one of the towering personalities of the nineteenth-century Romantic movement, internationally renowned for his astonishing versatility as a pianist, for his achievements as a composer and for his glittering social life. Not only did he raise the social status of the virtuoso but, by his dramatic love affairs with a series of aristocratic women, he came to symbolize the type of romantic hero depicted in his own music and that of his contemporaries. Yet his success was achieved at a price, and repeatedly he faced spiritual crises and periods of ill health. In this engrossing new study, Iwo and Pamela Załuski chart the early years of Liszt, from his birth in 1811 on the Esterházy estate at Raiding until 1835, when his fame as a brilliantly gifted pianist and composer had already spread throughout Europe. They cover the years in which his precocious genius brought him to the attention of some outstanding teachers--Czerny, Salieri and Paër--and also attracted the admiration of Beethoven, Cherubini, Weber and Rossini."--Publisher's description.