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Beowulf as Children's Literature brings together a group of scholars and creators to address important issues of adapting the Old English poem into textual and pictorial forms that appeal to children, past and present.
The timely collection of essays is thematically unified around the subject of corporeality. Its theoretical underpinnings emerge out of feminist, foucauldian, patristic and queer hermeneutics. The book is organized into categories specific to transformation, spirit versus body, discourse, and source material. More than one essay focuses on female bodies and on the monstrous or evil body. While Tolkien's The Lord of the Rings is central to most analyses, authors also cover The Hobbit, The Silmarillion, and material in The History of Middle-earth.
What makes one Anglo-Saxon poem better than another? Why does Beowulf still have the power to move us after so many centuries? What might have been aesthetically pleasing to Old English readers and writers of poetry? While there is an apparent consensus by scholars on a core of poems considered to be exceptional literary achievements - Beowulf, Judith, the Vercelli book - there has been little systematic investigation of the basis for these appraisals. With new essays on rhetoric, wordplay, meter, structure, irony, form, psychology, ethos, and reader response, the contributors to this collection aim to find objective aesthetic qualities in Anglo-Saxon poetry. Posing questions of quality and beauty as discoverable in artefacts, On the Aesthetics of Beowulf and Other Old English Poems significantly advances our understanding not only of aesthetics and Old English poetry, but also of Old English attitudes towards literature as an art form.
Widely considered one of the leading experts on the works of J.R.R. Tolkien, Thomas Alan Shippey has informed and enlightened a generation of Tolkien scholars and fans. In this collection, friends and colleagues honor Shippey with 15 essays that reflect their mentor's research interests, methods of literary criticism and attention to Tolkien's shorter works. In a wide-ranging consideration of Tolkien's oeuvre, the contributors explore the influence of 19th and 20th century book illustrations on Tolkien's work; utopia and fantasy in Tolkien's Middle-earth; the Silmarils, the Arkenstone, and the One Ring as thematic vehicles; the pattern of decline in Middle-earth as reflected in the diminishing power of language; Tolkien's interest in medieval genres; the heroism of secondary characters; and numerous other topics. Also included are brief memoirs by Shippey's colleagues and friends in academia and fandom and a bibliography of Shippey's work.
Fresh examinations of the role of medicinal plants in medieval thought and practice and how they contributed to broader ideas concerning the body, religion and identity. The important and ever-shifting role of medicinal plants in medieval science, art, culture, and thought, both in the Latin Western medical tradition and in Byzantine and medieval Arabic medicine, is the focus of this new collection. Following a general introduction and a background chapter on Late Antique and medieval theories of wellness and therapy, in-depth essays treat such wide-ranging topics as medicine and astrology, charms and magical remedies, herbal glossaries, illuminated medical manuscripts, women's reproductive ...
Book sales of the works of J.R.R. Tolkien keep pace with those of the Koran and the Bible. TV companies pay hundreds of millions to the Tolkien Trust to make adaptations of his work. In the UK, he routinely tops the list of the nation's favorite authors. An estimated 2 million war gamers use The Lord of the Rings figurines in their RPG. It is incontestable that Tolkien is the most influential Catholic writer of the last century. Tolkien, Philosopher of War fills a gap in the scholarship. It is the first book addressing the philosophical and theological understanding of war in Tolkien and will interest readers of Catholic Studies, the philosophy and theology of literature, war studies, Tolkie...
In such classic works as The Hobbit, The Lord of the Rings, and The Silmarillion, J. R. R. Tolkien depicts a vast, complex world-system. Tolkien's Middle-earth comes to life with intensely detailed historical, geographical, and multicultural content, which is presented through different poetic forms that combine elements of epic, romance, myth, history, and the modern novel. This book analyzes Tolkien's project, paying attention to narrative form and its relation to social contexts, while also exploring his broader philosophical conception of history and the role of individual and collective subjects within it. Tolkien's published and posthumous writings, the film adaptations, and recent scholarship are all examined to provide an enlarged and refined critical perspective of these major works. Drawing upon Marxist literary theory and criticism, Robert T. Tally Jr. calls into question traditional views of race, class, morality, escapism, and fantasy more generally. Through close readings mixed with theoretical speculation, Representing Middle-earth allows readers see Tolkien's world, as well as our own, in a new light.
The new edition of the definitive academic companion to Tolkien’s life and literature A Companion to J. R. R. Tolkien provides readers with an in-depth examination of the author’s life and works, covering Tolkien’s fiction and mythology, his academic writing, and his continuing impact on contemporary literature and culture. Presenting forty-one essays by a panel of leading scholars, the Companion analyzes prevailing themes found in The Hobbit and The Lord of the Rings, posthumous publications such as The Silmarillion and The Fall of Arthur, lesser-known fiction and poetry, literary essays, and more. This second edition of the Companion remains the most complete and up-to-date resource ...
This book introduces lexomics, the use of computer-aided statistical analysis of vocabulary, to measure influence and integrate research from cognitive psychology and evolutionary biology with traditional, philological approaches to literature. Connecting the theory of tradition with the phenomenon of influence, Drout moves beyond current theories.
Following the Formula in Beowulf, Örvar-Odds saga, and Tolkien proposes that Beowulf was composed according to a formula. Michael Fox imagines the process that generated the poem and provides a model for reading it, extending this model to investigate formula in a half-line, a fitt, a digression, and a story-pattern or folktale, including the Old-Norse Icelandic Örvar-Odds saga. Fox also explores how J. R. R. Tolkien used the same formula to write Sellic Spell and The Hobbit. This investigation uncovers relationships between oral and literate composition, between mechanistic composition and author, and between listening and reading audiences, arguing for a contemporary relevance for Beowulf in thinking about the creative process.