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Not aired. Biographic drama about author Colette, based on the book by Yvonne Mitchell.
There has been a tremendous amount of renewed interest in the output of Britain's Hammer Films. But there remain a great number of worthwhile British horror films, made at the same time by other companies, that have received little attention. The author provides a comprehensive listing of British horror films--including science fiction, fantasy, and suspense films containing horror-genre elements--that were released between 1956 and 1976, the "Golden Age" of British horror. Entries are listed alphabetically by original British title, from Vincent Price in The Abominable Dr. Phibes (1971) to Zeta One (1969). Entries also include American title, release information, a critique of the film, and the film's video availability. The book is filled with photographs and contains interviews with four key figures: Max J. Rosenberg, cofounder of Amicus Productions, one of the period's major studios; Louis M. Heyward, former writer, film executive and producer; Aida Young, film and television producer; and Gordon Hessler, director of such films as The Oblong Box and Murders in the Rue Morgue.
Maggie Gale's West End Women uncovers groundbreaking material about women playwrights and the staging of their performances between the years 1918 and 1962. It documents a dynamic era of social and theatrical history, analysing the transformations that occurred in the theatre and the lives of British women in relation to specific plays of the period. Focusing on the work of playwrights such as Dodie Smith, Clemence Dane, Gordon Daviot and Bridget Boland, Maggie Gale examines the cultural and political context within which they enjoyed commercial success and great notoriety.
"A complete and detailed guide to crime on film: prison dramas, film noir, heist movies, juvenile delinquents, serial killers, bank robbers, and many other subgenres and motifs. The historical and social background to movie crime is covered by articles on the FBI, the Mafia, the Japanese yakuza, prohibition, boxing, union rackets, drugs, poisoning, prostitution, and many other topics."--Cover.
First published in 2001.The standard work on its subject, this resource includes every traceable British entertainment film from the inception of the "silent cinema" to the present day. Now, this new edition includes a wholly original second volume devoted to non-fiction and documentary film--an area in which the British film industry has particularly excelled. All entries throughout this third edition have been revised, and coverage has been extended through 1994.Together, these two volumes provide a unique, authoritative source of information for historians, archivists, librarians, and film scholars.
The earliest record is of a Thomas Harvey and his wife, Elizabeth, who executed a deed in Charlotte County, Virginia on October 2, 1762.
Since the earliest days of British television drama, scriptwriter Nigel Kneale has been a seminal figure. His Quatermass serials for the BBC were a seismic event in the 1950s, before finding international success when adapted by Hammer Films for the big screen. Later TV plays, such as The Road, The Stone Tape and The Year of the Sex Olympics, skilfully blend elements of science fiction and the ghost story. They remain classics and Kneale himself a great influence on popular culture. Revised and updated, this new edition of Into the Unknown charts Nigel Kneale's extraordinary career, from his childhood on the Isle of Man, to his fraught days at the BBC, strange adventures in Hollywood, and his status as legend to legions of fans. It draws on a wealth of research and many hours of interviews with Kneale himself, as well as prominent admirers. These include John Carpenter, Ramsey Campbell, Grant Morrison, Russell T Davies, and Mark Gatiss and Jeremy Dyson of the League of Gentlemen.
As She Likes It is the first attempt to tackle head on the enduring question of how to perform those unruly women at the centre of Shakespeare's comedies. Unique amongst both Shakespearian and feminist studies, As She Likes It asks how gender politics affects the production to the comedies, and how gender is represented, both in the text and on the stage. Penny Gay takes a fascinating look at the way Twelfth Night, The Taming of the Shrew, Much Ado About Nothing, As You Like It and Measure for Measure have been staged over the last half a century, when perceptions of gender roles have undergone massive changes. She also interrogates, rigorously but thoughtfully, the relationship between a male theatrical establishment and a burgeoning feminist approach to performance. As illuminating for practitioners as it will be enjoyable and useful for students, As She Likes It will be critical reading for anyone interested in women's experience of theatre.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.