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Zheng Bo: WANWU I
'Wanwu I' delves into Hong Kong-based artist Zheng Bo's ongoing cultivation of deep kinships with the living beings we humans share our Earth with, plants in particular.This publication explores the aesthetics, erotics, politics, and eco-sensibilities of plant life, but also the potentials of incorporating the inclusive, collaborative qualities of wanwu--which means "ten thousand things," "myriad happenings," or "more than human"--into both everyday life and art institutions.Includes interviews with Stephanie Rosenthal, Matthias Rillig, Phillip E. Bloom, Annie Sprinkle and Beth Stevens.Published on occasion of 'Zheng Bo: Wanwu Council ???', 21 Jun - 23 Aug 2021, Gropius Bau, Berlin, after a ...
Negotiating Difference
Contemporary Chinese art is still a young field now being opened up to critical academic research. Negotiating Difference is a pioneering collection of articles which engage with contemporary Chinese art in a global context. The contributions collectively address the urgent methodological question of how to describe, contextualize and theorize artworks and artistic processes in and beyond the People's Republic of China since the end of the Cultural Revolution. The studies break new ground as they chalk out the transcultural entanglements of which art and its practices partake and which they in turn reconfigure. The book features 20 essays written by a select group of international junior and senior scholars engaged in ambitious and methodologically innovative research on contemporary Chinese art. Their multi-faceted, in part interdisciplinary approaches are complemented by four contributions by distinguished practitioners in the field, who - as art curators and critics - are located in China and explore key developments within Chinese art and the changing art scene of the last three decades.
China Pluperfect II
This book contains analysis of different domains of contemporary art in China seen through the lens of the epistemological changes described in China Pluperfect I: Epistemology of Past and Outside in Chinese Art. It first looks at the concept of “ink art,” describing how it meant different things to different people in the former colony and how these different meanings came to determine certain institutional choices made at the beginning of the 21st century. The following chapters are dedicated to issues related to the urban and rural contexts for art creation in Mainland China and Hong Kong. One chapter observes the ups and downs of the representations of cities in the history of the Pe...
Computational Science - ICCS 2006
This is Volume II of the four-volume set LNCS 3991-3994 constituting the refereed proceedings of the 6th International Conference on Computational Science, ICCS 2006. The 98 revised full papers and 29 revised poster papers of the main track presented together with 500 accepted workshop papers were carefully reviewed and selected for inclusion in the four volumes. The coverage spans the whole range of computational science.
Zheng He’s Maritime Voyages (1405-1433) and China’s Relations with the Indian Ocean World
Zheng He’s Maritime Voyages (1405-1433) and China’s Relations with the Indian Ocean World: A Multilingual Bibliography provides a multidisciplinary guide to publications on this great navigator’s activities and their impact on Chinese and world history. Admiral Zheng He commanded the fifteenth-century world’s largest fleet. In the course of seven voyages made between 1405 and 1433, his massive ships visited over thirty present-day countries in Asia and Africa. Those voyages reflected and reinforced the development of complex networks of trade, migration, cultural exchange, and political interactions between China and the Indian Ocean world. This bibliography lists sources in thirteen languages, including both scholarly studies and popular works like Gavin Menzies’s controversial bestsellers claiming the Chinese sailed around the world before Columbus. Relevant translations, transliterations and annotations are provided to aid the reader.
The Military History of the Spring and Autumn Period and the Warring States Period
The book is the volume of “The Military History of the Spring and Autumn Period and the Warring States Period” among a series of books of “Deep into China Histories”. The earliest known written records of the history of China date from as early as 1250 BC, from the Shang dynasty (c. 1600–1046 BC) and the Bamboo Annals (296 BC) describe a Xia dynasty (c. 2070–1600 BC) before the Shang, but no writing is known from the period The Shang ruled in the Yellow River valley, which is commonly held to be the cradle of Chinese civilization. However, Neolithic civilizations originated at various cultural centers along both the Yellow River and Yangtze River. These Yellow River and Yangtze c...
Dynamic Interpretation of Early Cities in Ancient China
This book offers an archaeological study on China’s ancient capitals. Using abundant illustrations of ancient capital sites, it verifies the archaeological discoveries with documentary records. The author introduces the dynamical interpretation of each ancient capital to the interpretation of the entire development history of China's ancient capitals. The book points out that for most of the almost 2000 years from the earliest Erlitou (二里头)to the Ye city (邺城), there was an era where ancient capitals didn’t have outer enclosures due to factors such as the strong national power, the military and diplomatic advantage, the complexity of the residents, and the natural conditions. Thus an era of “the huge ancient capitals without guards” lasting for over 1000 years formed. The concept that “China’s ancient capitals don’t have outer enclosures” presented in the book questions the traditional view that “every settlement has walled enclosures”. Combining science with theory, it offers researchers of history a clear understanding of the development process of China’s ancient capitals.
