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This exhibition is a remarkable introduction to Charles Avery's The Islanders, a work-in-progress that describes in drawing, painting, sculpture and text the topology and cosmology of an imaginary island.
The Spark Is You documents the parallel exhibitions THE SPARK IS YOU: Parasol unit in Venice (9 May - 23 November 2019) at Conservatorio di Musica Benedetto Marcello in Venice, and Nine Iranian Artists in London: THE SPARK IS YOU (22 May - 8 September 2019) at Parasol unit foundation for contemporary art in London.Curated by Ziba Ardalan (Founder, Artistic and Executive Director of Parasol unit), the two exhibitions include works by Morteza Ahmadvand, Nazgol Ansarinia, Siah Armajani, Mitra Farahani, Ghazaleh Hedayat, Sahand Hesamiyan, Y.Z. Kami, Farideh Lashai, Koushna Navabi, Navid Nuur, Sam Samiee, Hadi Tabatabai, and Hossein Valamanesh.This publication includes beautiful full-page colour reproductions of the exhibited works in Venice and London, accompanied by insightful thematic essays by Ziba Ardalan and Narguess Farzad as well as short essays on the individual artists by Oliver Basciano, Maryam Monalisa Gharavi, Mahan Moalemi, Maria Porges, Sarah Thomas, and John Yau.
Boundary Layer is the first full publication on Tabaimo's work, illustrating the large-scale interactive video pieces featured in the show at the Parasol unit, London, May ndash; August 2010, including Japanese Kitchen (1999), hanabi-ra (2003), guigunorama (2006), public conVENience (2006) and yudangami (2009). The book discusses Tabaimo's beautiful yet disturbing hand-drawn animations, which mix traditional Japanese imagery with digital video techniques. It illustrates both dark satirical pieces that critique modern Japanese society as well as those inspired by the media and Tabaimo's own personal experiences. English text.;
To coincide with the first major solo exhibition in the UK by Lebanese artist Rayyane Tabet (b. 1983), Parasol unit foundation for contemporary art has produced a publication featuring full-page colour reproductions of the exhibited works.Rayyane Tabet's works present fleeting moments in time and place, offering alternative perceptions or paradoxical views of political and personal events in an historical timeline presented here within the parameters of sculpture and found objects.Tabet explores the relationship between past and present, memory and reality. Like an archaeologist, he unearths hidden narratives in experiences and materials whose existence and content give rich meaning to his s...
Eleven artists reflect on the alarming entropy of the 21st century This book presents works from 11 international artists responding to the current state of the world through themes of environmentalism, racism, political activism, globalization and digitalization. Artists include: Darren Almond, Oliver Beer, Julian Charrière, David Claerbout, Bharti Kher, Teresa Margolles, Martin Puryear, Rayyane Tabet, and more.
The universal warmth and positive outlook as expressed in the lyrics and melody of the great Neapolitan song, ?O Sole Mio,? inspired the online exhibition O Sole Mio at Parasol Unit, London in which the institution published responses to the song by emerging, mid-career, and established international contemporary artists, and the wider art community.0Presented weekly as a themed digital magazine, O Sole Mio included compelling images, film stills, newly created animations and films, together with essays by artists and art professionals, and an introduction to each issue by Parasol unit?s director/curator Ziba Ardalan. The various themes will continue to resonate beyond the Covid-19 pandemic as we delve into the human condition, and the fraught relationship between nature and technology, reality and illusion, hope and optimism.0The O Sole Mio project aimed to look beyond the global crisis and focus on the positive throughout this challenging period. Each contributor responded uniquely to the content of the song and their own personal association with it, what it represents to them, the memories it evokes, and how we might understand it within the context of our time.
How does cultural context affect the interpretation of art? What makes artists' work transnational or national in character, and how will their visibility be impacted by either label? Art and the Politics of Visibility questions these dynamics, asking how the dissemination of visual culture on a global scale affects art and its institutions. Taking Shanghai-based artist Yang Fudong's practice as a point of departure, this volume focuses on how politically charged images produced in contemporary art, cinema, literature, news media and fashion become widely consumed or marginalised. Through case studies of artists including Titus Kaphar, Sara Maple, Shirin Neshat, J.M. Coetzee, Barbara Walker and Apichatpong Weerasethakul, the book illuminates the relationship between visibility, politics and identity in contemporary visual culture.
Nathan Cash Davidson populates his brightly colored paintings with such figures as King Henry VIII, Mr. Punch, George Bush and Ali G., as well as his own family members. These characters collide with gargoyles and mythological beasts in otherworldly forests, cathedrals, desert islands and council estates.
After several years in the U.S. a Japanese woman returns to Japan, taking along a niece raised in the U.S. The novel describes their adjustment to Japanese culture, different for each generation.