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New Perspectives on Tudor Cultures
This volume presents a selection of papers from the 6th International Conference of the Tudor Symposium, held at the University of Sheffield in 2009. It brings together new explorations of Tudor literature from scholars based all over Europe: France, Greece, Hungary, Ireland, Norway, and the United Kingdom. The papers cover the long mid-Tudor period, from Skelton and more to the young Shakespeare, but with a central emphasis on the middle decades of the sixteenth century. Topics range widely from philosophy and social commentary to more traditionally literary kinds of writing, such as lyric and tragedy (both dramatic and non-dramatic). The volume as a whole offers an attractively kaleidoscopic image of the variety of new work being carried out in the area in the new millennium.
Shakespeare, Violence and Early Modern Europe
Andrew Hiscock locates Shakespeare's history plays within debates over the status and function of violence in a nation's culture.
Emotion in the Tudor Court
Emotion in the Tudor Court is a transdisciplinary work that uses Renaissance and modern scientific models of emotion to analyze the literary cultures of Tudor-era English court society, providing a robust new analysis of the emotional dynamics of sixteenth-century England.
Mid-Tudor Queenship and Memory
This book explores (mis)representations of two female claimants to the Tudor throne, Lady Jane Grey and Mary I of England. It places Jane's attempted accession and Mary I's successful accession and reign in comparative perspective, and illustrates how the two are fundamentally linked to one another, and to broader questions of female kingship, precedent, and legitimacy. Through ten original essays, this book considers the nature and meaning of mid-Tudor queenship as it took shape, functioned, and was construed in the sixteenth century as well as its memory down to the twenty-first, in literary, musical, artistic, theatrical, and other cultural forms. Offering unique comparative insights into Jane and Mary, this volume is a key resource for researchers and students interested in the Tudor period, queenship, and historical memory.
Early Modern Constructions of Europe
Between the medieval conception of Christendom and the political visions of modernity, ideas of Europe underwent a transformative and catalytic period that saw a cultural process of renewed self-definition or self-Europeanization. The contributors to this volume address this process, analyzing how Europe was imagined between 1450 and 1750. By whom, in which contexts, and for what purposes was Europe made into a subject of discourse? Which forms did early modern ‘Europes’ take, and what functions did they serve? Essays examine the role of factors such as religion, history, space and geography, ethnicity and alterity, patronage and dynasty, migration and education, language, translation, a...
Writing the Other
An international group of scholars working in early modern English literature and culture have been invited to reflect upon one of the most dynamic dialectics of the period: the opposition between the concept “human, humanist, humanism” versus the concept “barbarous, barbarian, barbarism.” The result is Writing the Other: Humanism versus Barbarism in Tudor England. The essays in this volume range widely across the literary and cultural field mapped out by this opposition, thus revealing a rich multiplicity of voices and approaches to one of the fundamental processes by which self-fashioning and also “other-fashioning” operated during the Tudor reign. The focus moves from England ...
From Princes to Pages
In From Princes to Pages, Gavin Schwartz-Leeper provides a wide-ranging assessment of early modern literary characterizations of Thomas Cardinal Wolsey, Henry VIII’s chief minister from 1515-1529. Called the ‘other king’, Wolsey became a contested symbol of the English Reformation through diverse literary depictions that demonstrate the transformative pressures of this complex period. The author traces the development of these characterizations from the satires of John Skelton to Shakespeare and Fletcher’s Henry VIII, and offers new considerations of canonical and lesser-known texts by George Cavendish, John Foxe, and Raphael Holinshed. This study brings together multidisciplinary analyses to demonstrate how Wolsey’s literary lives reveal much about the contemporary shaping of this period, and argues for new ways to understand uses of the past in early modern England.
Before the West Was West
Before the West Was West examines the extent to which scholars have engaged in-depth with pre-1800 “western” texts and asks what we mean by “western” American literature in the first place and when that designation originated. Calling into question the implicit temporal boundaries of the “American West” in literature, a literature often viewed as having commenced only at the beginning of the 1800s, Before the West Was West explores the concrete, meaningful connections between different texts as well as the development of national ideologies and mythologies. Examining pre-nineteenth-century writings that do not fit conceptions of the Wild West or of cowboys, cattle ranching, and t...
Lord Strange's Men and Their Plays
For a brief period in the late Elizabethan Era an innovative company of players dominated the London stage. A fellowship of dedicated thespians, Lord Strange’s Men established their reputation by concentrating on “modern matter” performed in a spectacular style, exploring new modes of impersonation, and deliberately courting controversy. Supported by their equally controversial patron, theater connoisseur and potential claimant to the English throne Ferdinando Stanley, the company included Edward Alleyn, considered the greatest actor of the age, as well as George Bryan, Thomas Pope, Augustine Phillips, William Kemp, and John Hemings, who later joined William Shakespeare and Richard Bur...
Essays on the Medieval Period and the Renaissance
This collection brings together extended versions of papers delivered at the 2015 meeting of the Hungarian Society for the Study of English (HUSSE). The timeframe the papers deal with, starting with 15th century devotional texts, including Tudor interludes, Shakespearean plays and their adaptations, and ending in Milton, embraces three centuries of the history of English literature. As such, the contributions offer not only a variety of methodological approaches and disciplinary perspectives, but also highlight converging problems within this broad field, crystallized around three main topics of scholarship and constituting the three thematic parts of the volume, each containing three to fou...
