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Spirit of the Place
These essays are case-studies, the cases unraveling our cultural roots, memory itself. If a museum is the subject, then for instance the way the museum changes face, function, its manner of speech; how, a repository of collections and the cultural memory of humankind itself turns into one of the objects, memories, a custodian and exponent of its own history, or the opposite: how it connects with its modernized environs and changing audience: us. How has, or might the sanctum be transformed into a public venue, go from an inward looking, reverential enclosure to a space full of life. In other studies included here the author speaks of spatial and incarnate remembrance: the radical difference between a monument and a memorial. The duality of “always remembering” and “never forgetting”: a past depersonalized and dehistoricized as it was seized and processed. Of the layers of meaning attached to concentration camps, transmuting essence of artworks, and the difficult, the contradictory but inescapable processing of history and the past, of self-identical existence in history. So that we know we are alive. And how that is so.
Összes müvei
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Working-through Collective Wounds
Working-through Collective Wounds discusses how collectives mourn and create symbols. It challenges ideas of the irrational and destructive crowd, and examines how complicated scenes of working-through traumas take place in the streets and squares of cities, in times of protest. Drawing on insights from the trauma theory of psychoanalyst Sándor Ferenczi and his idea of the ‘confusion of tongues’, the book engages the confusions between different registers of the social that entrap people in the scene of trauma and bind them in alienation and submission. Raluca Soreanu proposes a trauma theory and a theory of recognition that start from a psychoanalytic understanding of fragmented psyches and trace the social life of psychic fragments. The book builds on psychosocial vignettes from the Brazilian uprising of 2013. It will be of great interest to psychoanalysts interested in collective phenomena, psychosocial studies scholars and social theorists working on theories of recognition and theories of trauma.
Closing Melodies
As the 19th century comes to a close, Friedrich Nietzsche and Vincent van Gogh unknowingly traverse proximate geographical terrain, nearly circling one another like close but distant stars as the philosopher wanders between Nizza, Sils Maria, and Torino, and the painter wanders between Paris, Arles, and Saint-Rémy. In the midst of their philosophical and artistic pursuits, simultaneously, the Eiffel Tower, symbol of artistic progress and industrialization, begins to rise in Paris amidst clamors of protest and praise. Through intertwining letters written to (& sometimes by) friends, family, and others, the philosopher and painter are brought into ever-greater proximity as we witness thei...
One Thousand & One
Kari Hukkila’s One Thousand & One is a philosophical, essayistic novel about catastrophes, both natural and man-made, about humans’ ability to respond to catastrophes by thinking or, at the very least, simply managing to survive. Hukkila’s novel is a cornucopia of micro-histories, digressions, and a broad gallery of characters ranging from the philosopher Ludwig Wittgenstein to an Ethiopian refugee in Rome. One Thousand & One begins when a large birch tree falls on a cabin near the Russian border in eastern Finland, leaving the narrator unable to concentrate on a writing project he has been at work on. He decides then to take up an invitation to Rome, where his lifelong friend has live...
Szinművek
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Storia, identità e canoni letterari
This volume collects the interventions of the post-doctoral fellows and PhD students of the University of Cluj Napoca, the University of Bucharest and the University of Florence (Mediterranean Cultures; Doctoral School of Comparative Languages, Literatures and Cultures, specialisation in Language, Literature, Philology: Intercultural Perspectives) presented in occasion of the seminar Storia, identità e canoni letterari (“History, identity and literary canons”, Florence, 22-23 November 2011). The contributions are centred on the idea of canon, as a cultural construct founding modern national identities. Another trace is the literary and cultural hybridisations between different geographies. For the Romanian context, the contributions pay particular attention to the movements of the avant-garde of the early 1900s. Some contributions account for the most problematic aspects of the contemporary world using interdisciplinary approaches.
Seiobo There Below
A Japanese goddess returns to the mortal realms in search of a glimpse of perfection.
Az értelmezés szükségessége
A kötet a legifjabb irodalmárnemzedék Kertész-képébe nyújt bepillantást, bizonyítva, hogy az immár Nobel-díjas szerző a hivatalos elismerés előtt is népszerű kutatási téma volt a fiatalok körében - miközben a konferenciához hasonlóan a kötetben is szerepet kap egy-egy valamivel idősebb pályatárs írása. A tanulmányok kérdezésmódjukat tekintve változatosak, az emlékezetpszichológiai vagy narratológiai irányultság éppúgy helyet kap a kötetben, mint a filozófiai-esztétikai megközelítés.
