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The Melancholy of Resistance
Winner of the 2015 Man Booker International Prize The Melancholy of Resistance, László Krasznahorkai's magisterial, surreal novel, depicts a chain of mysterious events in a small Hungarian town. A circus, promising to display the stuffed body of the largest whale in the world, arrives in the dead of winter, prompting bizarre rumours. Word spreads that the circus folk have a sinister purpose in mind, and the frightened citizens cling to any manifestation of order they can find - music, cosmology, fascism. The novel's characters are unforgettable: the evil Mrs. Eszter, plotting her takeover of the town; her weakling husband; and Valuska, our hapless hero with his head in the clouds, who is the tender centre of the book, the only pure and noble soul to be found. Compact, powerful and intense, The Melancholy of Resistance, as its enormously gifted translator George Szirtes puts it, 'is a slow lava flow of narrative, a vast black river of type.' And yet, miraculously, the novel, in the words of Guardian, 'lifts the reader along in lunar leaps and bounds.'
The World Goes On
Now in paperback, a transcendent and wide-ranging collection of stories by László Krasznahorkai: "a visionary writer of extraordinary intensity and vocal range who captures the texture of present-day existence in scenes that are terrifying, strange, appallingly comic, and often shatteringly beautiful."--Marina Warner, announcing the Booker International Prize
War and War
Winner of the 2015 Man Booker International Prize War & War begins at a point of danger: on a dark train platform Korim is on the verge of being attacked and robbed by thuggish teenagers. From here, we are carried along by the insistent voice of this nervous clerk. Desperate, at times almost mad, but also keenly empathic, Korim has discovered in a small Hungarian town's archives an antique manuscript of startling beauty: it narrates the epic tale of brothers-in-arms struggling to return home from a disastrous war. Korim is determined to do away with himself, but before he commits suicide, he feels he must escape to New York with the precious manuscript and commit it to eternity by typing it ...
Satantango
Translated by George Szirtes From the winner of the Man Booker International Prize In the darkening embers of a Communist utopia, life in a desolate Hungarian town has come to a virtual standstill. Flies buzz, spiders weave, water drips and animals root desultorily in the barnyard of a collective farm. But when the charismatic Irimias - long-thought dead - returns, the villagers fall under his spell. Irimias sets about swindling the villagers out of a fortune that might allow them to escape the emptiness and futility of their existence. He soon attains a messianic aura as he plays on the fears of the townsfolk and a series of increasingly brutal events unfold.
Baron Wenckheim's Homecoming
'Baron Wenkcheim's Homecoming is a fitting capstone to Krasznahorkai's tetralogy, one of the supreme achievements of contemporary literature. Now seems as good a time as any to name him among our greatest living novelists.' Paris Review Hailed internationally as perhaps the most important novel of the young twenty-first century, Baron Wenckheim's Homecoming is the culmination of László Krasznahorkai's remarkable and singular career. Nearing the end of his life, Baron Bela Wenckheim decides to return to the provincial Hungarian town of his birth. Having escaped from his many casino debts in Buenos Aires, where he was living in exile, he wishes to be reunited with his high-school sweetheart ...
Seiobo There Below
A Japanese goddess returns to the mortal realms in search of a glimpse of perfection.
Chasing Homer
A classic escape nightmare, Chasing Homer is sped on not only by Krasznahorkai’s signature velocity, but also by a unique musical score and intense illustrations In this thrilling chase narrative, a hunted being escapes certain death at breakneck speed—careening through Europe, heading blindly South. Faster and faster, escaping the assassins, our protagonist flies forward, blending into crowds, adjusting to terrains, hopping on and off ferries, always desperately trying to stay a step ahead of certain death: the past did not exist, only what was current existed—a prisoner of the instant, rushing into this instant, an instant that had no continuation … Krasznahorkai—celebrated for the exhilarating energy of his prose—outdoes himself in Chasing Homer. And this unique collaboration boasts beautiful full-color paintings by Max Neumann and—reaching out of the book proper—the wildly percussive music of Szilveszter Miklós scored for each chapter (to be accessed by the reader via QR codes).
Animalinside
From the winner of the 2015 Man Booker International Prize Limited to 2,000 gorgeous copies, this richly illustrated, extraordinary novella was created in collaboration with the famed painter Max Neumann.
The Last Wolf & Herman
In The Last Wolf, a philosophy professor is mistakenly hired to write the true tale of the last wolf of Extremadura, a barren stretch of Spain. His miserable experience is narrated in a single, rolling sentence to a patently bored bartender in a dreary Berlin bar. In Herman, a master trapper is asked to clear a forest's last 'noxious beasts.' Herman begins with great zeal, although in time he switches sides, deciding to track entirely new game... In Herman II, the same events are related from the perspective of strange visitors to the region, a group of hyper-sexualised aristocrats who interrupt their orgies to pitch in with the manhunt of poor Herman... These intense, perfect novellas, full of Krasznhorkai's signature sense of foreboding and dark irony, are perfect examples of his craft.
The Bill
In The Bill, László Krasznahorkai's madly lucid voice pours forth in a single, vertiginous, eleven-page sentence addressing Palma Vecchio, a sixteenth-century Venetian painter. Peering out from the pages are Vecchio's voluptuous, bare-breasted blondes, a succession of models transformed on the canvas into portraits of apprehensive sexuality. Alongside these women, the writer that Susan Sontag called "the Hungarian master of apocalypse" interrogates Vecchio's gift: Why does he do it? How does he do it? And why are these models so afraid of him even though he, unlike most of his contemporaries, never touches them? The text engages with the art, asking questions only the paintings can answer. "László Krasznahorkai's taut, almost explosive texts resemble prose poems more than short stories or conventional novella chapters, though they do not pretend to lyricism."--Nation
