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Felipe Valencia examines the construction of lyric as a melancholy and masculinist discourse that sings of and perpetrates symbolic violence against the feminine and the female beloved in key texts of Spanish poetry from 1580 to 1620.
Particularly in the humanities and social sciences, festschrifts are a popular forum for discussion. The IJBF provides quick and easy general access to these important resources for scholars and students. The festschrifts are located in state and regional libraries and their bibliographic details are recorded. Since 1983, more than 639,000 articles from more than 29,500 festschrifts, published between 1977 and 2010, have been catalogued.
As well as presenting articles on Neo-Latin topics, the annual journal Humanistica Lovaniensia is a major source for critical editions of Neo-Latin texts with translations and commentaries. Please visit www.lup.be for the full table of contents.
The studies gathered in this volume engage in different ways with the ideas of André Jolles (1874–1946), whose Einfache Formen (“Simple Forms”) was first published in 1930. Trained as an anthropologist, Jolles argued that these “simple” forms – Legende (legend), Sage (saga), Mythe (myth), Rätsel (riddle), Spruch (proverb), Kasus (case), Memorabile (memorable action), Märchen (folk or fairy tale) and Witz (joke or witticism) – which had circulated at a very early stage of human culture underlay the more sophisticated genres of literature. Unlike epic or tragedy, many of the simple forms are not theorised in classical rhetoric. The essays presented here focus on their reception in Hispanic culture from the Middle Ages to circa 1650. As such, the book will be of interest to scholars of medieval and early modern Spanish, Catalan and Latin literature. It will also appeal to historians of Humanism as well as scholars working on classical and Renaissance literary theory.
La Universidad de Valencia fue durante la segunda mitad del siglo XVI un importante foco de producción de preceptivas retóricas. Las nuevas condiciones de la enseñanza obligaron a los profesores a redactar sus propios manuales para usarlos como libros de texto en clase. Así, vieron la luz a partir de los años 60 las obras de Juan Lorenzo Oalmireno, Andrés Sempere, Pedro Juan Núñez, Vicente Blas García y Francisco Bardaxí. Este libro constituye un estudio exhasutivo de tales obras que ya habían recibido atención parcial en los trabajos de Menéndez Pelayo, Antonio Martí y José Rico Verdú, entre otros. A los profesores de la universidad levantina se añade la figura de Fadrique ...
Reúne 26 trabajos que se enmarcan dentro de algunas de las más fructíferas líneas de trabajo de la lingüística actual: sociolingüística, dialectología, lexicografía, revisión crítica de córpora y usos discursivos.--Publisher's description.
Antologia di poesia spagnola contemporanea inedita dedicata al mare come spazio di condivisione profonda, di rotte tracciate e tracciabili, di naufragi e approdi inaspettati, spazio di viaggiatori e sognatori con lo sguardo aperto sull’orizzonte. I testi – tutti inediti e in lingua originale – raccolti nel volume (con traduzione italiana a fronte) sono firmati da circa quaranta poeti, scelti tra le voci più significative dell’attuale poesia spagnola e offrono, nel loro insieme così variegato per stili e prospettive, la viva immagine di un oceano di parole mutevole, cangiante e senza confini; uno spazio di poesia liquido e sorprendente come le correnti e le vite che attraversano il mare.
En 1917, y a la vuelta de su viaje a América para desposar a Zenobia Camprubí, Juan Ramón Jiménez publica Diario de un poeta recién casado, un libro revolucionario que inauguraba muchas de las vetas por las que discurriría la poesía hispánica posterior. El volumen Poesía cada día. El Diario de un poeta recién casado y la tradición del diario poético reúne contribuciones en las que diversos especialistas reflexionan sobre los antecedentes y precursores del poemario, examinan su lugar en el corpus juanramoniano, indagan en su especificidad genérica a partir de propuestas teóricas contemporáneas, y analizan su huella en autores posteriores como Luis García Montero u Homero Aridjis.