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Though sometimes overlooked and underestimated, rural space has played a substantial role in social, cultural, economic, and ideological change. This role can be studied by looking at the re/production of spatial agents that were caused by direct or indirect political interventions in rural communities. In this book, scholars looking at case studies from Greece, Turkey, Italy, Portugal, and Austria discuss the making of identity in and through rural areas, which have dramatically changed under different political, social, and economic conditions from the turn of the 20th century up until today. By focusing on potential contestations of such changes, the authors provide a better in-depth understanding of spatial dynamics related to cultural and social spheres of 20th-century rurality. Includes contributions of national and international experts Deals with 20th-century rural environment and identity-making policies Findings of an international symposium of DFG Research Training Group "Cultural and Technological Significance of Historic Buildings", Brandenburg University of Technology (BTU) Cottbus-Senftenberg
Fragen des kulturellen Erbes und unseres Umgangs damit sind nicht neutral. Ereignisse wie die Black Lives Matter-Bewegung und der Sturz von Denkmälern und Statuen zeigen, wie stark sich die koloniale Vergangenheit in unsere gebaute Umgebung eingeschrieben hat; zugleich prägt der Kolonialismus weiterhin kulturelles Gedächtnis und Geschichtsschreibung. Das fordert all jene, die sich mit der Geschichte von Architektur beschäftigen, dazu heraus, auch die eigene Positionalität zu reflektieren. Wessen Erbe sind die kolonialen Orte? Welche womöglich verdrängten Erinnerungen sind mit ihnen verknüpft? Wie lassen sich Archive und materielle Evidenz neu bewerten, um die Geschichten marginalisierter Personen und Gruppen sichtbar zu machen? Angesichts des globalen Rufs nach Entkolonialisierung bringt dieser Sammelband Archäologie, Architekturgeschichte und Heritage Studies zusammen, um historische Methoden zu erkunden und die Verflechtung unterschiedlicher Narrative an architektonischen Orten offenzulegen. Ein Beitrag zur aktuellen Debatte um Entkolonialisierung und Erinnerungskultur Eine interdisziplinäre Sicht auf Architektur und kulturelles Erbe Internationale Beiträger: innen
During the early republican period, architectural interventions in rural Turkey took the form of social engineering as part of the state's modernization and nationalization policies. Özge Sezer demonstrates how the state's particular programs had a powerful effect on rural life in the countryside. She examines the regime's goals and strategies for controlling the rural people through development projects and demographic shaping to create a strong Turkish identity and a loyal citizenry. The book outlines the implementation of new rural settlements, particularly following the 1934 Settlement Law, with a geographic focus on two cities - Izmir and Elazig - with varied socio-economic and ethnic standing in the state program.
The pilot issue of DELUS offers a range of diverse insights into landscape and urban questions. It introduces new methods to unpack multiple worlds and narrate manifold stories. The contributions range from unraveling histories of land-body relations through recipes with Luiza Prado de O. Martins, following living fossils and their mythical counterparts with Christina Gruber, working with communities to examine extractive environments with Karin Reisinger, exploring postnatural aesthetics with the Institute for Postnatural Studies, to recording wastelands with Sandra Jasper and developing speculative curricula engaging with overlooked forms of knowledge with Federico Pérez Villoro. As a collection, these contributions address the complex relations between humans, non-humans and their environment across time and space. DELUS is an annual publication that explores emerging themes, topics and methods from landscape and urban studies. Founded in 2022 by the Institute for Landscape and Urban Studies (LUS) at ETH Zurich, it brings academic knowledge to a broader audience and fosters exchange amongst designers, artists, scientists, scholars and students.
Ayse Güngör investigates art practices between art and anthropology in Turkey, as well as the implications of contemporary art for those disciplines. She discusses various approaches based on anthropological theories on the forms of relation and theories of artistic practices on socio-political issues. Based on long-term research with contemporary artists such as Nil Yalter, Gülsün Karamustafa, Esra Ersen, Kutlug Ataman, Tayfun Serttas, Köken Ergun, Dilek Winchester and Artikisler Collective, this book analyzes the objectives of art and anthropology in order to determine new possibilities and divergences arising from this interdisciplinary confluence.
Mimar.ist Sayı 65
Kuruluşundan Bugüne Devlet Opera ve Balesinde Sahnelenen Bale Yapıtlarımız (Cumhuriyetimizin 100. Yılına Armağan) Yazarları : ELİF SANEM GÜLEÇ, İBRAHİM ŞEVKET GÜLEÇ, ISBN: 978-605-72742-2-9, 262 sayfa, 16,5x23,5 cm. 1948’de İstanbul Yeşilköy’de açılan Bale Akademisi, 1950’de yürürlüğe giren yasayla Ankara’ya taşınarak Ankara Devlet Konservatuvarı Bale Bölümü olarak eğitime başlar. Bale Bölümünden ilk olarak 1956’da yedi, 1957’de üç, 1958’de on beş dansçı adayı mezun olur. Türkiye’de klasik balenin ilk kuşağı olarak anılan bu insanlar arasında; Ayla Dayıgil, Meral Öge, Yüksel Çapanoğlu, Seval Akgün, Hüsnü Sunal, Tenasüp...