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The new nation
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The Getty Murua
Here is a set of essays on Historia general del Piru that discuss not only the manuscript's physical components--quires and watermarks, scripts and pigments--but also its relation to other Andean manuscripts, Inca textiles, European portraits, and Spanish sources and publication procedures. The sum is an unusually detailed and interdisciplinary analysis of the creation and fate of a historical and artistic treasure.
Concordancía Calderoniana / Konkordanz zu Calderón Teil III: Dramas.
Im Rahmen der vollständigen Konkordanz der Werke Calderóns, deren Teile I und II für die die Autos Sacramentales und das Teatro cómico breve bereits vorliegen, erscheinen nunmehr die Teile III und IV mit den Konkordanzen der Dramas und der Comedias. Grundlage auch dieser Konkordanzen ist – wie für die Konkordanz der Autos Sacramentales – die von Ángel Valbuena Prat und Ángel Valbuena Briones bei Aguilar herausgegebene Ausgabe der Obras completas von Calderón de la Barca. Die Teile III und IV der Konkordanz beinhalten das gesamte Vokabular der Dramas und Comedias in alphabetischer Reihenfolge, im keyword in context-Format. Das Quellfeld der Konkordanz enthält neben dem Nachweis d...
Undoing Empire
This ambitious book brings to light the story of what Jose F. Buscaglia-Salgado terms mulataje--the ways Caribbean aesthetics offer the possibility of the ultimate erasure of racial difference. Undoing Empire gives a broad panorama stretching-from the complex politics of medieval Iberian societies to the beginning of direct U.S. hegemony in the Caribbean at the end of the nineteenth century. Buscaglia-Salgado begins with an examination of Washington Irving's "American Columbiad" as an act of historical and territorial plundering. He then traces the roots of mulatto society to the pre-1492 Iberian world, not only finding a connection between the Moors of "Old Spain" and the morenos--the black...
A Companion to Latin American Literature and Culture
A COMPANION TO LATIN AMERICAN LITERATURE AND CULTURE “The work contains a wealth of information that must surely provide the basic material for a number of study modules. It should find a place on the library shelves of all institutions where Latin American studies form part of the curriculum.” Reference Review “In short, this is a fascinating panoply that goes from a reevaluation of pre-Columbian America to an intriguing consideration of recent developments in the debate on the modem and postmodern. Summing Up: Recommended.” CHOICE A Companion to Latin American Literature and Culture reflects the changes that have taken place in cultural theory and literary criticism since the latte...
New Perspectives on Historical Writing
A new edition of this best-selling collection of essays by leading experts on historical methodology.
Approaches to Teaching the Writings of Bartolomé de Las Casas
The work of Bartolomé de Las Casas poses a number of challenges in the classroom: students need help seeing the relevance of a sixteenth-century Dominican missionary to their lives, understanding his colonial-imperial context, and negotiating the apparent contradictions among his evangelizing and his varying stances on Indian and black slavery in the New World. The essays gathered in this volume show teachers how to introduce and engage with Las Casas—one of the first voices to criticize European treatment of the native populations of the Americas and crucial today to studies of imperialism, colonialism, and human rights—in a wide range of courses, undergraduate and graduate. Like all v...
Troubling Gender
Cumbia villera—literally, cumbia from the shantytowns— is a musical genre quite popular with Argentine youth who frequent urban dance halls. Its songs are known for having highly sexualized lyrics— about girls dancing provocatively or experiencing erotic pleasure. The songs exhibit the tensions at play in the different ways people relate to this musical genre. In Troubling Gender, noted sociologists Pablo Vila and Pablo Semán scrutinize the music's lyrics and the singers' and dancers' performances. At the same time, the authors conduct in-depth interviews to examine the ways males construct and appropriate cumbia's lyrics, and how females identify, appropriate, and playfully and critically manipulate the same misogynistic songs. Addressing the relationship between this form of music and the wider social, political, and economic changes that influence the lives of urban youth, Troubling Gender argues that the music both reflects and influences the ways in which women's and men's roles are changing in Argentine society.
