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The collection Migration, Integration and Connectivity on the Southeastern Frontier of the Carolingian Empire offers insights into the Carolingian southeastern frontier-zone from historical, art-historical and archaeological perspectives. Chapters in this volume discuss the significance of the early medieval period for scholarly and public discourses in the Western Balkans and Central Europe, and the transfer of knowledge between local scholarship and macro-narratives of Mediterranean and Western history. Other essays explore the ways local communities around the Adriatic (Istria, Dalmatia, Dalmatian hinterland, southern Pannonia) established and maintained social networks and integrated foreign cultural templates into their existing cultural habitus. Contributors are Mladen Ančić, Ivan Basić, Goran Bilogrivić, Neven Budak, Florin Curta, Danijel Dzino, Krešimir Filipec, Richard Hodges, Nikola Jakšić, Miljenko Jurković, Ante Milošević, Marko Petrak, Peter Štih, Trpimir Vedriš.
This is the first international book on Croatian design. It is written as a critical overview of Fedja Vukić and Victor Margolin, who are selectors and authors. More than 180 selected works of 60 different authors testifies that design and designers became the centre of the market communication in Croatia, and that this kind of book is essential for understanding the design in this region.This edition covers all aspects of design production (destination identity, corporation identity, packaging, advertising, industrial design, web design...) and is divided into 12 categories. Each work is represented with project details, photographs, and authors' comments on the project. All projects were created between 2005 and 2008. This book's content proves that this is an impressive insight of recent design production in Croatia.
Presenting the history of the Slavs in the Middle Ages in a new light, this study shows how the 'Slavs' were treated as a cultural construct and as such politically instrumentalized, and describes the real structures behind the phenomenon.
This book examines deployments of mixed emotion in the literary and pictorial arts of early modern Europe. It consists of two parts, the first focusing on portrayals of mixed emotion in theatre, poetry, and prose, the second on forms and functions of mixed emotion in spiritual exercises centering on pictorial images, and on the heuristic and/or restorative functions of portraying mixed emotion. Contributors are Stijn Bussels, Tom Conley, Wietse de Boer, Carolin A. Giere, Barbara A. Kaminska, Graham R. Lea, Walter S. Melion, Mitchell Merback, Ruth Sargent Noyes, Bram Van Oostveldt, Raphaèle Preisinger, Bart Ramakers, Lukas Reddemann, Ludovica Sasso, Aline Smeesters, Paul J. Smith, Anita Traninger, and Elliott D. Wise.
This book is a revisionist account of Samuel’s State and the legendary struggle between Samuel Cometopoulos and Basil II (10th-11th century). It goes beyond the standard approach to the study of state formation, presenting an entirely new analytical framework which interrogates how contemporaries in the Balkans at different times, ranging from the Byzantine and Balkan elites of the medieval centuries to later voices in the early modern and modern periods, have represented Samuel’s polity in the service of their own political agendas and territorial aspirations towards Macedonia. The wide-ranging relationship between culture, identity and power are addressed, making use not just of Balkan literary and artistic traditions but on writings from across the Slavic world and western political and intellectual contexts. Demonstrating the conflicted legacy of the Samuel’s State in the Balkans, Mitko B. Panov questions established scholarly opinion and offers new interpretations that reconsider its place in Byzantine and Balkan history and imagination.
15 papers on research (1970-2001) into Roman Dalamtia in honour of J. J. Wilkes.