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Soft Soil Engineering
  • Language: en
  • Pages: 808

Soft Soil Engineering

  • Type: Book
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  • Published: 2006-09-28
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  • Publisher: CRC Press

Soft soils present particular challenges to engineers and an understanding of the specific characteristics of these soils is indispensable. Laboratory techniques such as numerical modelling, theoretical analysis and constitutive modelling give new insights into soft soil material behaviour, while large-scale testing in the field provides important information in areas such as slope stability and soft soil improvements. This collection of papers from the Fourth International Conference on Soft Soil Engineering, Vancouver, 2006, presents an international appraisal of current research and new advances in engineering practices, illustrating the theory with relevant case studies. Geotechnical professionals, engineers, academics and researchers working in the areas of soft ground engineering and soft soil engineering will find this a valuable book.

Regarding Faure
  • Language: en
  • Pages: 454

Regarding Faure

  • Type: Book
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  • Published: 2013-12-19
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  • Publisher: Routledge

Regarding Fauré , the result of a 1995 conference on Fauré's important contribution to classical music, was written by Tom Gordon, artistic director the Ensemble Musica Nova and a professor in the Department of music at Bishop's University in Quebec. Also included are contributions from some of the world's most renowned Fauré scholars including Jean-Michel Nectous, Robert Orledge, Edward Phillips, and Steven Huebner. With a lifetime that spanned the developments of Chopin, Debussy, Schoenberg, and Stravinsky, the great French composer Gabriel-Urbain Fauré (1845-1924) lived during one of the most interesting periods in music history, yet steered a course uniquely his own. Exploring the composer's role as an educator, critic, composer, and advocate for French music, Regarding Fauré is critical, analytical, and interdisciplinary in its approach to understanding Fauré's prodigious works and life. Also includes musical examples. His numerous compositions include more than 100 songs (known as 'melodie', or French a

Fauré and French Musical Aesthetics
  • Language: en
  • Pages: 352

Fauré and French Musical Aesthetics

A wide-ranging study of Fauré and his contemporaries.

Sociology of Music
  • Language: en
  • Pages: 285

Sociology of Music

None

From Fundamentals to Applications in Geotechnics
  • Language: en
  • Pages: 3344

From Fundamentals to Applications in Geotechnics

  • Type: Book
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  • Published: 2015-12-11
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  • Publisher: IOS Press

The work of geotechnical engineers contributes to the creation of safe, economic and pleasant spaces to live, work and relax all over the world. Advances are constantly being made, and the expertise of the profession becomes ever more important with the increased pressure on space and resources. This book presents the proceedings of the 15th Pan-American Conference on Soil Mechanics and Geotechnical Engineering (XV PCSMGE), held in Buenos Aires, Argentina, in November 2015. This conference, held every four years, is an important opportunity for international experts, researchers, academics, professionals and geo-engineering companies to meet and exchange ideas and research findings in the ar...

A Question of Balance
  • Language: en
  • Pages: 291

A Question of Balance

One of this century's most influential musical intellects takes center stage in Taylor Greer's meticulously wrought study of Charles Seeger (1886-1979). Seeger left an indelible mark in the fields of musicology, music criticism, ethnomusicology, and avant-garde musical composition, but until now there has been no extended appreciation and critique of Seeger's work as a whole, nor has an accessible guide to his texts been available. Exploring the entire corpus of Charles Seeger's writing, A Question of Balance highlights the work of those persons who most influenced him, especially Henri Bergson, Bertrand Russell, and Ralph Perry. Invited to inaugurate the music department at the University o...

The Memory of Tiresias
  • Language: en
  • Pages: 340

The Memory of Tiresias

The concept of intertextuality has proven of inestimable value in recent attempts to understand the nature of literature and its relation to other systems of cultural meaning. In The Memory of Tiresias, Mikhail Iamposlki presents the first sustained attempt to develop a theory of cinematic intertextuality. Building on the insights of semiotics and contemporary film theory, Iampolski defines cinema as a chain of transparent, mimetic fragments intermixed with quotations he calls "textual anomalies." These challenge the normalization of meaning and seek to open reading out onto the unlimited field of cultural history, which is understood in texts as a semiotically active extract, already inscri...

General Catalogue of Printed Books
  • Language: en
  • Pages: 592

General Catalogue of Printed Books

  • Type: Book
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  • Published: 1959
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  • Publisher: Unknown

None

The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century
  • Language: en
  • Pages: 568

The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century

Rarely studied in their own right, writings about music are often viewed as merely supplemental to understanding music itself. Yet in the nineteenth century, scholarly interest in music flourished in fields as disparate as philosophy and natural science, dramatically shifting the relationship between music and the academy. An exciting and much-needed new volume, The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century draws deserved attention to the people and institutions of this period who worked to produce these writings. Editors Paul Watt, Sarah Collins, and Michael Allis, along with an international slate of contributors, discuss music's fascinating and unexpected...

Music in European Thought 1851-1912
  • Language: en
  • Pages: 442

Music in European Thought 1851-1912

This volume, in the series Cambridge Readings in the Literature of Music, is an anthology of original German, French and English writings from the period 1851-1912. Throughout the second half of the nineteenth century music continued to be a subject to which philosophers, psychologists, scientists and critics repeatedly addressed themselves. Some of the philosophical approaches followed the tradition of the German speculative philosophy of the late eighteenth and early nineteenth centuries. Elsewhere the new 'scientific' climate of the nineteenth century left its mark on the work of scientists and psychologists interested in the impact of acoustical stimuli on the human mind or in the role of music and song in the prehistory of mankind.