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"The murder of three detectives in quick succession in the 87th Precinct leads Detective Steve Carella on a search through the city's underside and ultimately into the murderer's sights"--NoveList.
Ed McBain concocts a brilliant and intricate thriller about a master criminal who haunts the city with cryptic passages from Shakespeare, directing the detectives of the 87th Precinct to a future crime -- if only they can figure out what he means. The 87th Precinct gets a visit from one of the city's most accomplished criminals -- a thief known as the Deaf Man. Because he might be deaf. Or he might not. So little is known about the man who is harassing Detective Steve Carella with puzzling messages that it is hard to tell. But as soon as a pattern emerges, the detectives of the 87th are forced to hit the books and brush up on their Shakespeare -- because each new clue contains a line from one of his works. Unless they can crack the complicated riddles and beat the Deaf Man at his own cat-and-mouse game, someone is going to end up hurt, or something will be stolen -- or both. It's always so hard to tell with the Deaf Man. Ed McBain brings his most intelligent and devious criminal back to the 87th Precinct with a richly plotted and literary crime.
It should have been the night that launched a new pop idol. Tamar Valparaiso is young and beautiful, with the body and voice of an angel, and the stage is set for her to launch her debut album, Bandersnatch, on a luxury yacht in the heart of the city. But halfway through her performance, while the partygoers look on helplessly, masked men drag Tamar off the stage and into a waiting speedboat. Detective Steve Carella is just showing up for the graveyard shift when news of the kidnapping comes in. Working disjointedly with a Joint Task Force that calls itself "The Squad," Carella and the men and women of the Eight-Seven must find Tamar before time -- or indeed her very life -- runs out. In this brilliant look at the music industry, Ed McBain once again combines his mastery of the form with the fast-paced dialogue and intricate plotting that have become his signature.
Description: TV Still (Programme).
Library of Congress Subject Headings (LCSH) are increasingly seen as 'the' English language controlled vocabulary, despite their lack of a theoretical foundation, and their evident US bias. In mapping exercises between national subject heading lists, and in exercises in digital resource organization and management, LCSH are often chosen because of the lack of any other widely accepted English language standard for subject cataloguing. It is therefore important that the basic nature of LCSH, their advantages, and their limitations, are well understood both by LIS practitioners and those in the wider information community. Information professionals who attended library school before 1995 - and...
In the late 1940s and early 1950s a new kind of detective story appeared on the scene. This was a story in which the mystery is solved by regular police detectives, usually working in teams and using ordinary police routines. This kind of narrative is customarily called the "police procedural" story. And it is the subject of this book. Though there has been numberless writers of these stories, there has never been a book of criticism before.
The Comprehensive Film Guide to Amateur Sleuth, Detective & Police Stories of Film and Television. A look at the writers, Private Invetigators, Lawyers, and the Hollywood Personal that produced them, and other interesting stories that have Mystery and Intrigue.