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The Life of a Photograph
The renowned National Geographic photographer and educator presents a host of his acclaimed photographs, organized by theme, accompanied by personal anecdotes, explanations, and behind-the-scenes stories of each picture.
How Britain Really Works
'Absorbing . . . an intelligent and clear-eyed account of much that goes on in our country' Sunday Times Getting to grips with Great Britain is harder than ever. We are a nation that chose Brexit, rejects immigration but is dependent on it, is getting older but less healthy, is more demanding of public services but less willing to pay for them, is tired of intervention abroad but wants to remain a global authority. We have an over-stretched, free health service (an idea from the 1940s that may not survive the 2020s), overcrowded prisons, a military without an evident purpose, an education system the envy of none of the Western world. How did we get here and where are we going? How Britain Really Works is a guide to Britain and its institutions (the economy, the military, schools, hospitals, the media, and more), which explains just how we got to wherever it is we are. It will not tell you what opinions to have, but will give you the information to help you reach your own. By the end, you will know how Britain works - or doesn't. 'Stig Abell is an urbane, and often jaunty guide to modern Britain, in the mould of Bill Bryson' Irish Times
Fiction
By taking a distinctively institutional approach, Catharine Abell provides a unified solution to a wide range of philosophical problems raised by fiction. In particular, she draws attention to the epistemology of fiction, which has not yet attracted the philosophical scrutiny it warrants. There has been considerable discussion of what determines the contents of works of fiction, yet few attempts have been made to explain how audiences identify their contents, or to identify the norms governing the correct understanding and interpretation of them. This book answers both metaphysical and epistemological questions concerning fiction in a way that clarifies the relation between them: What distinguishes works of fiction from works of non-fiction? What is the nature of fictive utterances? How do audiences identify the contents of authors' fictive utterances? How does understanding a work of fiction differ from interpreting it? This book develops the first single theory to provide answers to these questions and many more.
The Abell Book of Art and Verse
The Abell Book of Art and Verse contains nearly two hundred of George Abell's poems that offer a rare and entertaining look into the world of Washington politics at the beginning of the Cold War. George Abell (1898-1986) was a writer, journalist, and Assistant Chief of U.S. Protocol. After service in the US Navy during World War II, he worked with the civilian occupation government in Germany, and then for Time and Life magazines in Paris and New York. Returning to Washington, DC, he wound up his career serving as Assistant Chief of Protocol from 1962 to 1970. Through his journalist's perceptive eyes, he constructed richly detailed poems that exposed the behind-the-scenes posturing and, occa...
Sam Abell
Celebrated photographer Sam Abell has been a mainstay in the landscape photography and photojournalism worlds for decades. Immensely well-known and popular among photography students and amateur photographers alike, Abell's signature landscape photography has graced the pages of such magazines as "National Geographic" and "Popular Photography." "Sam Abell: The Photographic Life" is an unprecedented look at the life and work of this artist's photographic process and reveals much about the relationship between art and life through the teachings that make him so sought after by photography students. This elegant book contains photography by Abell and such ephemera as postcards and invitations-most previously unpublished-that detail the inspiration for and influences on his photography. This a perfect gift book for lovers of photography. This book coincides with a major traveling retrospective that opens in fall 2002 at the Bayly Museum of Art, Charlottesville, the artist's hometown. The exhibit travels to the Toledo Museum of Art and the George Eastman House.
