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A Publisher and His Friends. Memoir and Correspondence of the Late John Murray with an Account of the Origin and Progress of the House 1768-1843
This two-volume account of the life and friendships of the publisher John Murray (1778-1843), told largely through his voluminous correspondence, was published in 1891 by Samuel Smiles (1812-1904), whose Lives of the Engineers, Self-Help, and other works are also reissued in the Cambridge Library Collection. Murray was only fifteen when his father, the founder of the famous firm, died, but after a period of apprenticeship he took sole control of the business, becoming the friend as well as the publisher of a range of the most important writers of the first half of the nineteenth century, in both literature and science. Perhaps his most famous author was Lord Byron, whose memoir of his own life, considered unpublishable, was burned in the fireplace at Murray's office in Albemarle Street, London. Volume 2 describes innovations including the famous travel guides, and ends with an assessment of Murray's publishing career.
A Publisher and His Friends
John Murray was the intimate friend and correspondent of Sir Walter Scott, Lord Byron, Canning, Southey, the Disraelis, Campbell, Crabbe, Hallam, Croker, Milman, Washington Irving, Madame de Stael; as well as of the early editors of the Quarterly, Gifford, Coleridge, and Lockhart; and many original letters from these authors are in this book. The memoirs, and especially the correspondence of John Murray and his friends, are of value as giving a full picture of the literature and principal men of letters of the first half of the 19th century. Indeed, going still farther back - to the life and correspondence of John Murray's father - they include, to a certain extent, the literature of the times of Dr. Johnson, Dr. Langhorne, Dr. Cartwright, and others.
Reading the Gaelic Landscape
This is a comprehensive field guide to the toponymy of the Gaelic landscape which helps people to interpret Highland landscape through place-names. Landscape character and history are perceived through a Gaelic lens.
