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The first comprehensive guide to Holst's orchestral suite considers the music in detail and places the work in its historical context.
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Extensively revised with new material, the book also includes a study of Imogen Hoist's music and a chronological list of her works, revealing her as a composer of tremendous talent, whose music deserves to be much more familiar.
'The Gustav Holst Way' is the first guidebook to describe the 35-mile rambling route across the Cotswolds to celebrate the life and work of the composer Gustav Holst. Published exactly 100 years after Holst began work on The Planets, the route visits many of the places that were important to the young Holst as his musical career took wing. Among the highlights are the house in Cheltenham where he was born (now the Holst Birthplace Museum) and several venues in the Cotswolds where he played, conducted and taught music. The richly illustrated guidebook divides the walk into five easy/moderate sections (with four optional detours) and includes detailed maps, points of historical interest and al...
Imogen Holst's brilliantly lucid book introduces the reader to the language of musical terms, highlighting and analysing the historical development of music's texture, harmony, and form. The perfect complement to The Concise Oxford Dictionary of Music, it can be read by anyone - absolutebeginners and those who wish to consolidate and extend what they already know. But it not only informs: ultimately, for performers and listeners alike it encourages livelier participation.
The rembetika, songs that were sung in the poor quarters of Smyrna, Istanbul and the ports of Greece in the late nineteenth century, and became the popular bouzouki music of the 1930s to 1950s, have many parallels with American blues. Like the blues, the rembetika were the music of outsiders, who developed their own slang and their own forms of expression. Road to Rembetika was the first book in English to attempt a general survey of the world of the 'rembetes' who smoked hashish and danced the passionate introspective zebekiko to release their emotions. The author Gail Holst, an Australian musician and writer who first came to Greece in 1965 and who has continued to perform and write about ...
Glucagon-like peptide-1 (GLP-1) is a promising new therapeutic tool for the treatment of diabetes. Since the first reports describing its potent insulinotropic activity were published about a decade ago, knowledge of the incretin hormones, and GLP-1 in particular, has increased significantly. This timely volume summarizes what is now known about the molecular biology, physiology and pharmacology of GLP-1. Thorough coverage is given to the physiology of the hormone, including its generation, release and actions at pancreatic and extrapancreatic tissues. The intracellular mechanisms of GLP-1 are also described in detail. Discussion of the molecular biology includes the structure and functions of the genes coding for proglucagon and the GLP-1 receptor. A special feature of the book is the clinical information provided which includes data on the expression and release of GLP-1 and its potential use as a therapeutic agent for diabetes. Presenting the results of exciting new research, this book will be a valuable reference for endocrinologists, gastroenterologists, pharmacologists, physiologists and biochemists interested in this important hormone.
New revised 3rd edition - This classic reference, which has become the "bible" for dog breeders, has been revised and updated to include the latest scientific information. Canine Reproduction covers everything from planning a mating and the basics of reproduction to managing the estrous cycle, caring for the pregnant bitch, whelping and care of newborns, and handling reproductive problems. After more than three decades of experience including laboratory work, breeding, exhibition, and her Master's degree in prenatal development, Holst writes from a depth of experience that is uncommon in this field.
Novello presents a setting of the Nunc Dimmitis in Latin for SSAATTBB Choir, A Cappella. Although written for Richard Terry in 1915, the first concert peformance of this work was given in June 1974. Desmond Ratcliffe has prepared a keyboard reduction for rehearsal purposes only.