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The only memoir to be written in the post-Stalin Soviet Union by a member of the Left Opposition formed under the leadership of Leon Trotsky in 1923. Nadezhda Joffe is the daughter of Adolf Abramovich Joffe, the Bolshevik leader and Left Oppositionist who committed suicide in 1927 to protest the expulsion of Trotsky from the Bolshevik Party. She gives a nightmarish and moving account of her fate and that of countless others at the hands of the Stalinist bureaucracy. Nadezhda Joffe survived and her memoir provides us with the testimony of one who experienced, with a high degree of political consciousness, the most tragic events of this century.
Deep red scars. Cold dark secrets... In the cold, wet summer of 1960, 11-year-old Joy Henderson lives in constant fear of her father. She tries to make him happy but, as he keeps reminding her, she is nothing but a filthy sinner destined for Hell... Yet, decades later, she returns to the family's farm to nurse him on his death bed. To her surprise, her 'perfect' sister Ruth is also there, whispering dark words, urging revenge. Then the day after their father finally confesses to a despicable crime, Joy finds him dead - with a belt pulled tight around his neck... For Senior Constable Alex Shepherd, investigating George's murder revives memories of an unsolved case still haunting him since that strange summer of 1960- the disappearance of nine-year-old Wendy Boscombe. As seemingly impossible facts surface about the Hendersons - from the past and the present - Shepherd suspects that Joy is pulling him into an intricate web of lies and that Wendy's disappearance is the key to the bizarre truth.
FUNNIER THAN ADRIAN MOLE AND FAR SEXIER! Does not skirt round the vast injustice of apartheid SUPERB MEMOIR Joffe is a man sui generis. Impish at times, but always interesting. Memorable and well written! AN INTIMATE, FUNNY, AND PROFOUND PERSONAL HISTORY Reading this funny, clever, sometimes vicious portrayal of growing up in Johannesburg in the 1930s, 40s, and 50s, I found myself reminded of Blakes line To see a world in a grain of sand. This is because Joffe, in writing a detailed and often very amusing account of his personal adventures and misadventures, captures also the texture of the broader environment, the brutal decades of racist horror of his native land. Joffe relates events with...
Andreas Vesalius 1514-1564 By Stephen N. Joffe, M.D. Vesalius was the foremost pioneer of modern anatomy. Born in Brussels, he came from a family of physicians. Educated in Louvain, he studied medicine in Montpelier and Paris, returning to Louvain to teach anatomy. In 1535 he went to France to be an army surgeon to King Charles V and two years later became a professor of anatomy in Padua, Italy. Subsequently he became a physician to the court of Philip II of Spain. On a pilgrimage to Jerusalem, he received a call to return to Padua to occupy chair of Fallopius. In a storm leading to a shipwreck and subsequent death on the Isle of Zante, Vesalius was buried there in an unmarked grave in 1564. This marked the end of the ‘prince of anatomy.’ Vesalius’ book De Humani Corporus Fabrica published in Basel in 1543, contributes one of the greatest treasures of western civilization and culture. With its companion volume the Epitome, began the modern observational science and research.
"While it may be catnip for the media to play up America as a has-been, Josef Joffe, a ... German commentator and Stanford University academic, [proposes] that Declinism is not a cold-eyed diagnosis but a device in the style of the ancient prophets ... Gloom is a prophecy that must be believed so that it will turn out wrong. Joffe [posits that] 'economic miracles' that propelled the rising tide of challengers flounder against their own limits. Hardly confined to Europe alone, Declinism has also been an especially nifty career builder for American politicians, among them Kennedy, Nixon, and Reagan, who all rode into the White House by hawking 'the end is near'"--Dust jacket flap.
Published on the occasion of a new exhibition at Victoria Miro Mayfair, this new book follows a new series of Self-Portraits by the artist Chantal Joffe - accompanied by a new text by British novelist and cultural critic, Olivia Laing.On New Year's Day 2018, Joffe set herself the challenge of working on a self-portrait every day for the coming year. This daily practice - through personal lows and highs, in the shifting white light of a prolonged London winter and the savage heat of New York in summer - has resulted in a series of characteristically unflinching works.Modest in scale, each is a depiction of the artist's face or a full-length view, in her painting clothes or, occasionally, nake...
Ode to Construction ? Abstraction in the Digital Age' explores the intersections of graphic design and art through the means of generative code, gesturing playfully and melancholically towards the foundational legacies of the Suprematist and Constructivist movements of the early 20th century.00At once a book, website, and exhibition, 'Ode to Construction' demonstrates the fluidity of design?s materializations within the conditions of the digital, moving effortlessly between screen, print, and space. By reanimating the formal strategies of modernist abstraction, graphic designer Polina Joffe probes the technical and social registers of design today.00Exhibition: Onomatopee, Eindhoven, The Netherlands (08.10.-01.11.2020).
The print edition is available as a set of two volumes (9789004091733).
The real story of the medical campaign against abortionthrough the eyes of pro-choice physicians. The real story of the medical campaign against abortionthrough the eyes of pro-choice physicians. Read more from Beacon Press author Carole Joffe on RHrealitycheck.org "Well-researched and clearly written. . . Provides a compelling narrative of the dedication of doctors who have braved society's continuing ambivalence toward women's right to choose." —K. Kaufmann, San Francisco Examiner-Chronicle A fabulous read. . . intense and absorbing. —Marge Berer, Women's Review of Books
When everyone is sleeping, he comes into their houses. He takes one thing. A photo of their child. A thief on a power trip or something even darker and more sinister?