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A brilliant new series bursts onto the scene filled with ghostly goings-on and an unusual investigative duo. With illustrations from Karl Mountford. Lil Potkin lives in bleak Peligan City. Her mum works in City Hall and is rarely at home, so aspiring journalist Lil has all the time she needs to explore the city in her bright yellow raincoat, investigating unsolved stories. One rainy evening Lil meets a sad-looking boy sitting by himself in the bus station and buys him a hot chocolate. That night Lil wakes to find him in her bedroom. He doesn't want to admit to being a ghost, but when he finally remembers his name (Nedly ... possibly) he explains that he needs Lil's help to find out what happ...
The Rochesters are very good at keeping secrets... Thornfield Hall, 1821. Alice Fairfax takes up her role as housekeeper of the estate. But when Mr Rochester presents her with a woman who is to be hidden on the third floor, she finds herself responsible for much more than the house. This is the story Jane Eyre never knew - a narrative played out on the third floor and beneath the stairs, as the servants kept their master's secret safe and sound.
The day had gone badly: Celtic had just lost to their Old Firm rivals Rangers in the 1999 Scottish Cup final, and now Alan Stubbs had to provide a sample for a random drugs test. Little did he know, but it would help save his life... The results of the test showed he had testicular cancer, and suddenly, at the age of 27 and at the peak of fitness, he realised that he had the biggest battle of his life in front of him. In this compelling and moving memoir, Stubbs recalls his despair at the time and explains how, with the support of family, friends and fans as well as terrific doctors, he pulled through to resume his career at the top. And what a career it was. First he helped Bolton Wanderers...
This book examines the parallel histories of modern art and modern music and examines why one is embraced and understood and the other ignored, derided or regarded with bewilderment, as noisy, random nonsense perpetrated by, and listened to by the inexplicably crazed. It draws on interviews and often highly amusing anecdotal evidence in order to find answers to the question: Why do people get Rothko and not Stockhausen?
1996 And The End of History examines the year as it panned out in the UK not just in politics but in music, light entertainment and sport. It was the zenith of a decade which will go down as remarkably untroubled bymodern standards; following the collapse of the Berlin Wall, prior to 9/11, in which political conditions of peace and apparent economic prosperity created an overall mood of frivolity, postmodern anti-seriousness and a desire to get back to sunnier times before the grim onset of the strife-ridden 70's and 80's.
Presents a comprehensive guide to preparing Greek cuisine, from basic recipes and sauces to seafood, meat entrees, pies, bread, and traditional pastries.
Suicide - the act of taking one's own life. Homicide - the act of taking someone else's. An unethical banker suffocates. A diamond dealer slits his wrists. A media magnate freezes in the snow. A disgraced CEO inhales exhaust fumes. Four unpopular businessmen, four apparent suicides. Until Interpol find the same DNA at each death. Beatrice Stubbs, on her first real case since 'the incident', arrives in Switzerland to lead the investigation. But there's more to Zurich than chocolate and charm. Potential suspects are everywhere, her Swiss counterpart is hostile and the secretive world of international finance seems beyond the law. Battling impossible odds by day and her own demons at night, Beatrice has never felt so alone. She isn't. Someone's watching. Someone else who believes in justice. The poetic kind. Behind Closed Doors is the first in the Beatrice Stubbs series.
"Stubbs [has] a storyteller's gift for atmosphere and drama."--Wall Street Journal
Electronic music is now ubiquitous, from mainstream pop hits to the furthest reaches of the avant garde. But how did we get here? In Mars by 1980, David Stubbs charts the evolution of synthesised tones, from the earliest mechanical experiments in the late nineteenth century, through the musique concrete of the Futurists and radical composers such as Pierre Schaeffer and Karl Stockhausen, to the gradual absorption of electronic instrumentation into the mainstream, be it through the BBC Radiophonic Workshop, grandiose prog rock or the DIY approach of electronica, house and techno.Stubbs tells a tale of mavericks and future dreamers, malfunctioning devices and sonic mayhem. But above all, he describes an essential story of authenticity: is this music? Mars by 1980 is the definitive account that answers this question.