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Mason Mooney
A spooky, ghost-filled and hilarious adventure awaits when you dive into the mysterious world of Mason Mooney! Join Paranormal Investigator Mason Mooney as he tackles ghosts, witches and grumpy teenagers to prove once and for all who the REAL talent in the world of paranormal creatures. If anyone can figure out what's going on in Grimbrook's most haunted house - it's him. And no one else. But with an evil curse looming over him and the house's inhabitants, can Mason finally prove to the Society of Peculiar Paranormal Phenomena that he's the best around - or is he a bit out of his depth? Packed with evil curses, haunted houses, quirky characters and a town full of unexplained phenomena, Seaerra Miller's new series of illustrated comic-like books are sure to be a hit with kids who love twisted tales and action-packed, mysterious stories.
Position Pieces for Cello
Position Pieces for Cello is designed to give students a logical and fun way to learn their way around the fingerboard. Each hand position is introduced with exercises called "Target Practice," "Geography Quiz," and "Names and Numbers." Following these exercises are tuneful cello duets which have been specifically composed to require students to play in that hand position. In this way, students gain a thorough knowledge of how to find the hand positions and, once there, which notes are possible to play. Using these pieces (with names like "I Was a Teenage Monster," "The Irish Tenor," and "I've Got the Blues, Baby"), position study on the cello has never been so much fun!
Tuesday Mooney Talks to Ghosts
A dying billionaire sends one woman and a cast of dreamers and rivals on a citywide treasure hunt in this irresistible novel by the author of Bellweather Rhapsody.
Personalizing Jazz Vocabulary
This method book is designed to help intermediate to advanced jazz students incorporate classic jazz vocabulary into their original improvisations. Using a series of standard and modern chord progressions, guitarist Davy Mooney provides several short passages that are meant to be played exactly as written within an otherwise improvised solo; students are expected to adapt this written material to their own purposes by improvising into and out of it. In an effort to overcome the disconnect between developing a unique sound and learning the language of past jazz masters, the author eloquently analyzes several phrases and chord changes and comments on various aspects of improvisation, referenci...
Flying Magazine
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Flying Magazine
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Flying Magazine
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Flying Magazine
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