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The verb is, in any language, the motor of all communication: no verb, no action. In Greek, verb forms change not only with person, number, tense, and voice, but in four possible moods as well. Available now in a special reprint for the North American market, The Syntax and Semantics of the Verb in Classical Greek is an incomparable resource to students and scholars charged with the considerable task of untangling the Greek language’s many complexities. With clear, concise instruction, Albert Rijksbaron shows how the various verb forms contribute to the richness of the Greek literature as we know it, in this essential guide for both novices and experienced practitioners. “[This study] belongs in the library of any Hellenist and any linguist interested in ancient Greek.”—Classics Newsletter (Anzeiger für die Altertumswissenschaft) “Every use is described with concision and clarity.”—Kratylos “The book offers an example of how the empirical thoroughness of traditional Classical scholarship can be brought into contact with general linguistic theory.”—Language
The aim of this monograph is to describe Greek mathematics as a literary product, studying its style from a logico-syntactic point of view and setting parallels with logical and grammatical doctrines developed in antiquity. In this way, major philosophical themes such as the expression of mathematical generality and the selection of criteria of validity for arguments can be treated without anachronism. Thus, the book is of interest for both historians of ancient philosophy and specialists in Ancient Greek, in addition to historians of mathematics. This volume is divided into five parts, ordered in decreasing size of the linguistic units involved. The first part describes the three stylistic ...
Albert Rijksbaron is internationally known as one of the leading scholars of the Ancient Greek language, whose work has exerted a strong and lasting influence on the scholarly debate concerning many aspects of Greek linguistics. This volume brings together twenty of his papers, two of which have been translated into English and some which are not easily accessible elsewhere. The selection represents the full range of Rijksbaron’s research, including papers on central topics in Greek linguistics such as tense-aspect, mood, voice, particles, negation, the article, questions, discourse analysis, as well as on the views of ancient grammarians and modern commentators. As a whole, the volume shows how much linguistic analysis can contribute to our understanding of Greek literary texts.
For the past 25 years, debate regarding the nature of tense and aspect in the Koine Greek verb has held New Testament studies at an impasse. The Greek Verb Revisited examines recent developments from the field of linguistics, which may dramatically shift the direction of this discussion. Readers will find an accessible introduction to the foundational issues, and more importantly, they will discover a way forward through the debate. Originally presented during a conference on the Greek verb supported by and held at Tyndale House and sponsored by the Faculty of Divinity of Cambridge University, the papers included in this collection represent the culmination of scholarly collaboration. The outcome is a practical and accessible overview of the Greek verb that moves beyond the current impasse by taking into account the latest scholarship from the fields of linguistics, Classics, and New Testament studies.
A comprehensive account of the language of Ancient Greek civilization in a single volume, with contributions from leading international scholars covering the historical, geographical, sociolinguistic, and literary perspectives of the language. A collection of 36 original essays by a team of international scholars Treats the survival and transmission of Ancient Greek Includes discussions on phonology, morphology, syntax, semantics, and pragmatics
Voice and Voices in Antiquity draws together 18 studies of the changing concept of voice and voices in the oral traditions and subsequent literate genres of the ancient world. Ranging from the poet's voice to those of characters as well as historically embodied communities, and from the interface between the Greek and Near Eastern worlds to the western reaches of the Roman Empire, the scholars assembled here offer a methodologically rich and diverse series of approaches to locating the power of voice as both poetic construct and communal memory. The results not only enrich our understanding of the strategies of epic, lyric, and dramatic voices but also illuminate the rhetorical claims given voice by historians, orators, philosophers, and novelists in the ancient world.
A collection of papers revealing the boundary between linguistic and literary approaches to classical texts.
This is the first full-scale reference grammar of Classical Greek in English in a century. The first work of its kind to reflect significant advances in linguistics made in recent decades, it provides students, teachers and academics with a comprehensive yet user-friendly treatment. The chapters on phonology and morphology make full use of insights from comparative and historical linguistics to elucidate complex systems of roots, stems and endings. The syntax offers linguistically up-to-date descriptions of such topics as case usage, tense and aspect, voice, subordinate clauses, infinitives and participles. An innovative section on textual coherence treats particles and word order and discusses several sample passages in detail, demonstrating new ways of approaching Greek texts. Throughout the book numerous original examples are provided, all with translations and often with clarifying notes. Clearly laid-out tables, helpful cross-references and full indexes make this essential resource accessible to users of all levels.
On the basis of a fresh collation of the four primary manuscripts, this book presents a revised text of Plato's Ion, with full apparatus criticus. The commentary has a strong linguistic orientation; it includes discussions of Platonic vocabulary. Linguistic considerations are also the leading principle in the choice of one MS reading rather than another. Drawing on Byzantine practices and theories, the book pays special attention to questions of punctuation, an area too often ignored in editions of classical texts. The extensive introduction deals with, inter alia, Plato's attack on poetry, the position of the Ion in the corpus Platonicum—rather late, this book argues—, the title(s) of the dialogue, the reasons why MS Venetus 189 should be considered a primary MS, and the text of the Homeric quotations in the Ion.
Sir Charles Willink was responsible for some of the most important advances in the study of the text and metre of Greek tragedy published in the last fifty years. With his unrivalled knowledge of tragic usage and ear for subtle rhythmical points, he was able to solve long-standing problems in areas ranging from metrical analysis to staging and the detection of interpolations, and many of his proposals have already been adopted in standard editions. This volume collects all Willink's published papers, except the two earliest, which are summarized. Three important new articles, on Euripides’ Helen, Medea, and Alcestis, are published for the first time, and additions and corrections to the published papers are included, together with an index of passages discussed.