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AA Bronson
Catalogue of an exhibition held at the Power Plant, 13 December 2003 - 7 March 2004 and at the Morris and Helen Belkin Art Gallery, 2 April 2004 - 6 June 2004.
Queer Zines
Also available as 2 vols-set; ISBN: 9780894390395.0The variegated output of zine makers past and present is collected in two volumes, from North America and Europe, listing them alphabetically. Across more than 350 pages are comprehensive bibliographies and synopses for more than 120 zines, excerpted illustrations and writings, reprints of notable articles and a list of zine outlets around the world. Also included, a 1980 interview with Boyd McDonald by Vince Aletti and Adam Block’s early writings on zines. Volume one updates and corrects the original edition, published in 2008, while volume two adds more than 30 recent titles and fourteen new essays by Bruce LaBruce, Scott Treleaven and Edie Fake, among others.0.
AA Bronson
This is the first exhibition by AA Bronson, as a solo artist, in the UK. Together with Felix Partz and Jorge Zontal, as part of the acclaimed artists' group General Idea, he has exhibited throughout the world for over thirty years. Felix and Jorge both died of AIDS related illnesses in 1994, and since then Bronson explains '...I have been struggling to find the limits of my own body as an independent organism, as a being outside of General Idea. Over the past five years I have found myself, much like a stroke victim, learning again the limits of my nervous system, how to function without my extended body (no longer three heads, twelve limbs), how to create possibilities from my reduced physicality...' Bronson's exhibition consists of only one work, his portrait Felix, June 5th, 1994 - a vast photograph, taken of Felix a few hours after he died, and one of the most powerful images to have been produced by an artist in recent years.
General Idea
An art project that spread AIDS consciousness like a virus, examined by an artist-activist.
Negative Thoughts
The exhibition documented here combines three works by General Idea along with new works of Bronson's as a meditation on the themes of life and death in the age of AIDS.
Mirror, Mirror
By AA Bronson. Contributions by Bill Arning.
Art Basel | Year 50
Art Basel's official annual publication captures and documents the exhibitions in Basel, Miami Beach, and Hong Kong, and takes the reader beyond them, featuring interviews, portfolios, essays about contemporary art, as well as personal highlights from artists, curators, collectors, and museum directors.00With its A-to-Z format, the publication maps the world of Art Basel alongside profiles spotlighting each of the 500+ galleries that participated across the three shows in 2019. Designed by Gavillet & Cie (Geneva), it features all the different sectors of the fair and highlights events, talks, and Art Basel's new initiatives, offering vivid and varied perspectives on the global art world as s...
Darius Koehli: Why Omaha?
The golden age of the American Wrestling Association, as documented by a nine-year-old boy in 1960s Omaha Mad Dog Vachon, "Tarzan Tyler," Masao "Rusher" Kimura--the ring names of the wrestlers who grappled for glory in the American Wrestling Association were as evocative as they were hair-raising. In 1969, the Swiss-born photographer Darius Koehli (born 1960), then just nine years old, spent nine months with his father in Omaha, Nebraska, where a neighbor took him to the hottest spot in town, the Civic Auditorium, to see some catch wrestling. With a remarkable eye for slapstick, and using his brand-new Kodak Instamatic, Koehli produced hundreds of snapshots of these formidable hulks, during and after their bouts. In the summer of 2019, Koehli uncovered the photo album he'd assembled 50 years ago in Omaha and decided to revitalize the pictures of this extraordinary time. The selection featured in Why Omaha?provides a glimpse of a bygone era in which professional wrestling was just taking off, enrapturing TV audiences.
