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Drawing with Great Needles
For thousands of years, Native Americans used the physical act and visual language of tattooing to construct and reinforce the identity of individuals and their place within society and the cosmos. This book offers an examination into the antiquity, meaning, and significance of Native American tattooing in the Eastern Woodlands and Great Plains.--Publisher description.
Ancient Ink
The human desire to adorn the body is universal and timeless. While specific forms of body decoration and the motivations for them vary by region, culture, and era, all human societies have engaged in practices designed to augment and enhance people’s natural appearance. Tattooing, the process of inserting pigment into the skin to create permanent designs and patterns, is one of the most widespread forms of body art and was practiced by ancient cultures throughout the world, with tattoos appearing on human mummies by 3200 BCE. Ancient Ink, the first book dedicated to the archaeological study of tattooing, presents new, globe-spanning research examining tattooed human remains, tattoo tools, and ancient art. Connecting ancient body art traditions to modern culture through Indigenous communities and the work of contemporary tattoo artists, the volume’s contributors reveal the antiquity, durability, and significance of body decoration, illuminating how different societies have used their skin to construct their identities.
Mastodons to Mississippians
Was Nashville once home to a giant race of humans? No, but in 1845, you could have paid a quarter to see the remains of one who allegedly lived here before The Flood. That summer, Middle Tennessee well diggers had unearthed the skeleton of an American mastodon. Before it went on display, it was modified and augmented with wooden “bones” to make it look more like a human being and passed off as an antediluvian giant. Then, like so many Nashvillians, after a little success here, it went on tour and disappeared from history. But this fake history of a race of Pre-Nashville Giants isn’t the only bad history of what, and who, was here before Nashville. Sources written for schoolchildren and...
Shaman, Priest, Practice, Belief
Archaeological case studies consider material evidence of religion and ritual in the pre-Columbian Eastern Woodlands Archaeologists today are interpreting Native American religion and ritual in the distant past in more sophisticated ways, considering new understandings of the ways that Native Americans themselves experienced them. Shaman, Priest, Practice, Belief: Materials of Ritual and Religion in Eastern North America broadly considers Native American religion and ritual in eastern North America and focuses on practices that altered and used a vast array of material items as well as how physical spaces were shaped by religious practices. Unbound to a single theoretical perspective of reli...
Tattoos and body modifications in antiquity : proceedings of the sessions at the EAA annual meetings in The Hague and Oslo, 2010-11
"From Ötzi the Iceman to today's full-sleeved and pierced urbanite, it seems that body modification has always formed an integral part of the human animal's relationship to its body. Some adornments are temporary or purely situational, such as particular body paints, jewelry or hair treatments, while others--such as tattoos--are quite permanent and, when we are very lucky, preserved in the archaeological record. The papers presented in this volume result from two thematic sessions on Tattoos and Body Modifications in Antiquity organized during the annual meetings of the European Association of Archaeologists (EAA) in The Hague and Oslo in 2010/11. They deal with a variety of topics, from the Pacific to the American continents and to Eurasia, including early evidences of tattooing and methods of detection, tattoo implements and experiments, as well as iconographic contexts and cultural meanings of tattoos and other body modifications, such as cranial deformations or cosmetic applications. Many new finds are discussed, and presented for the first time to an English speaking audience."--P. 4 of cover.
People with Animals
People with Animals emphasizes the interdependence of people and animals in society, and contributors examine the variety of forms and time-depth that these relations can take. The types of relationship studied include the importance of manure to farming societies, dogs as livestock guardians, seasonality in pastoralist societies, butchery, symbolism and food. Examples are drawn from the Pleistocene to the present day and from the Altai Mountains, Ethiopia, Iraq, Italy, Mongolia and North America. The 11 papers work from the basis that animals are an integral part of society and that past society is the object of most archaeological inquiry. Discussion papers explore this topic and use the c...
The Tattooing Arts of Tribal Women
This account of the vanishing art of wmen's tribal tattooing is the record of anthropologist Lars Krutak's ten year research with indigenous peoples around the globe.
Purposeful Pain
Pain is an evolutionary and adaptive mechanism to prevent harm to an individual. Beyond this, how it is defined, expressed, and borne is dictated culturally. Thus, the study of pain requires a holistic approach crossing cultures, disciplines, and time. This volume explores how and why pain-inducing behaviors are selected, including their potential to demonstrate individuality, navigate social hierarchies, and express commitment to an ideal. It also explores how power dynamics affect individual choice, at times requiring self-induced suffering. Taking bioanthropological and bioarchaeological approaches, this volume focuses on those who purposefully seek pain to show that, while often viewed a...
Tattoo Traditions of Native North America
"For thousands of years astonishingly rich and diverse forms of tattooing have been produced by the Indigenous peoples of North America. Long neglected by anthropologists and art historians, tattooing was a time-honoured traditional practice that expressed the patterns of tribal social organization and religion, while also channelling worlds inhabited by deities, spirits, and the ancestors. This book explores the many facets of indelible Indigenous body marking across every cultural region of North America. As the first book on the subject, it breaks new ground on one of the least-known mediums of Amerindian expressive culture that nearly disappeared from view in the twentieth century, until it was reborn in recent decades"--Page 4 of cover.
Patterns of the Past
4e de couv.: Therese Mangos and John Utanga trace the history and practice of tattooing (tātatau) in the Cook Islands through the ancient oral traditions of its people, reports of often repressive early Western visitors and rich archival material. More than a survey of times gone by, Patterns of the Past also looks at the renaissance of this art form through the eyes of some its most important contemporary tātatau artists. Supplemented with over 250 contemporary and historical images of traditional Cook Islands design and heritage art, this is a vivid, beautiful and important work. It provides the first comprehensive examination of Cook Islands tattoo and celebrates how tātatau is impacting on a generation searching for symbols of its own identity.
