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First in the Edgar Award–winning series “that never disappoints,” featuring the forensic anthropologist known as the Skeleton Detective (The Philadelphia Inquirer). When anthropology professor Gideon Oliver is offered a teaching fellowship at US military bases in Germany, Sicily, Spain, and Holland, he wastes no time accepting. Stimulating courses to teach, a decent stipend, all expenses paid, plenty of interesting European travel . . . What’s not to like? It does not take him long to find out. On his first night, he is forced to fend off two desperate, black‐clad men who have invaded his Heidelberg hotel room with intent to kill. And then there are a few trivial details that the r...
In Tuscany visiting friends with his wife, Gideon Oliver is asked to reexamine the bones of a couple whose deaths were ruled a murder-suicide. His findings do not agree with those of the Italian police.
Gideon Oliver earns his moniker “The Skeleton Detective” in this riveting entry to the Edgar Award–winning mystery series “that never disappoints” (The Philadelphia Inquirer) Deep in the primeval rainforest of Washington State’s Olympic Peninsula, the skeletal remains of a murdered man are discovered. And a strange, unsettling tale begins to unfold, for forensic anthropologist Gideon Oliver determines that the murder weapon was a primitive bone spear of a type not seen for the last ten thousand years. And whoever—or whatever—hurled it did so with seemingly superhuman force. Bigfoot “sightings” immediately crop up, but Gideon is not buying them. But something is continuing to kill people, and Gideon, helped by forest ranger Julie Tendler and FBI special agent John Lau, plunges into the dark heart of an unexplored wilderness to uncover the bizarre, astonishing explanation. Fans of authors Kathy Reichs and Tess Gerritsen and television shows like Bones will be fascinated by Aaron Elkins’s award-winning landmark forensic detective series. The Dark Place is the 2nd book in the Gideon Oliver Mysteries, but you may enjoy reading the series in any order.
Gideon is happy to be in Mexico with his wife-until he's asked to examine the mummified corpse of a drifter thought to be shot to death. Gideon's findings reveal that the cause of death is far more bizarre. Then he's asked to examine the skeleton of a murder victim found a year earlier-only to discover another coroner error. The Skeleton Detective knows that two "mistakenly" identified bodies are never a coincidence. But if he isn't careful, unearthing the connection between them could make him another murder statistic in Mexico.
When Gideon Oliver's wife Julie attends a conservation forum on the emerald Isles of Scilly, Gideon tags along, expecting a holiday. To amuse himself, he explores the Neolithic sites there. But instead of ancient ruins, he finds evidence of a very recent murder.
Joining a team researching a prehistoric ceremonial burial of a human woman and a part-human, part-Neanderthal child on Gibralter, forensics specialist Professor Gideon Oliver is confronted by all-too-modern murder when two suspicious deaths rock Gibralter.
Edgar Award–winning author: “A cunning plot, a remarkably appealing hero, some uproariously funny dialogue . . . a winning combination.” —Booklist An ancient skeleton tossed in a garbage dump is the first conundrum to rattle Gideon Oliver when he arrives in Egypt. There to appear in a documentary film, he expects an undemanding week of movie star treatment and a luxurious cruise up the Nile with his wife, Julie. But when Gideon discovers a tantalizing secret in the discarded bones—and violence claims a famous Egyptologist’s life—he is thrust into a spotlight of a different kind. Plying his calipers as the world’s foremost forensic anthropologist, Gideon’s investigation of t...
For Bryan Bennett, designing hostage negotiation programs is the perfect job—as long as he doesn’t deal directly with kidnappers or their victims. Intense nightmares of his own abduction and imprisonment as a small boy still plague him thirty-some years later, and claustrophobia prevents him from attempting to travel. So when Bryan’s boss asks him to fly to Reykjavik to teach his corporate-level kidnapping and extortion seminar, he initially refuses. But a CEO has specifically requested Bryan—or no one else. Finally Bryan relents… For decades he’s treaded gingerly around his deepest terrors. Now, on this trip, Bryan’s taken hostage again and must face his fears full-on. Will he realize that in this battle of will and nerve, he is his own greatest enemy? Or has this fight already been lost years ago?
A museum curator travels to Italy and looks into a murder in this “fresh, funny [and] thoroughly enjoyable mystery” by the author of the Gideon Oliver series (Publishers Weekly). Mild‐mannered and law‐abiding, Chris Norgren, curator of Renaissance and Baroque art at the Seattle Art Museum, is an unlikely undercover investigator, but when a priceless Rubens portrait is discovered in a shipment of “authentic reproductions” in a local warehouse, Chris is pressed into service to find out how it got there. The quest leads him to the medieval city of Bologna, one of his favorite places, but all too soon what might have been a welcome Italian interlude turns into a bizarre journey into shady art world doings and murderous secrets . . .
Edgar® Award–winning author Aaron Elkins’s creation—forensics professor Gideon Oliver—has been hailed by the Chicago Tribune as “a likable, down-to-earth, cerebral sleuth.” Now the celebrated Skeleton Detective unearths a wealthy family’s darkest secrets… Alex Torkelsson has just gotten word: his late uncle Magnus’s plane has been found south of Hawaii’s Big Island after ten long years. So too have Magnus’s few skeletal remains, now handed over to the only man who can fit together the pieces of this mystery... What forensic detective Gideon Oliver discovers could shake the Torkelsson family tree to its very roots. But this time his work is yielding more questions about the past than answers. Questions about the long-ago execution-style murder of Magnus’s brother...about a mysterious will that benefits—as well as incriminates—its heirs...and most disturbing of all: questions as to the true identity of the corpse in the lagoon. As lie upon lie is revealed, Gideon’s only hope is to let the bones of the dead condemn the living—before the living take revenge.