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Folk
In FOLK, Aaron Schuman0́9s first monograph, he explores the Ethnographic Museum in Krakow0́4its collections and exhibits, as well as its own distinct customs and culture0́4via his own personal history.
NYLPT
The images in NYLPT are drawn from one body of work, collected in New York, London, Paris and Tokyo, presented in discrete digital and analogue forms. Jason Evans is preoccupied with the tradition of street photography as an aesthetically colonized form, with precedents resilient to re-interpretation; he says, Sometimes you visit a place and it looks exactly as you expected it to. Like it does in pictures or on TV or at the movies. It's like a feeling of nostalgia for something you've never known.
The Mushroom Collector
This publication reissues a beloved photobook classic--acknowledged as such by Martin Parr and Gerry Badger in the third volume of The Photobook: A History--that has been out of print since the hardcover edition was published in 2010. As photographer Jason Fulford (born 1973) recently learned firsthand, mushrooms have a way of growing and spreading wherever they touch ground. It all started when a friend of Fulford's gave him a box, found at a flea market, full of photos of mushrooms--unassuming pictures taken by an unknown but almost certainly amateur photographer, apparently as notes for some mycological studies. Fulford's art photographs (aside from his well-known book Dancing Pictures, which depicted people getting down to their favorite songs) are usually of staid, quasi-mute objects: a smashed Dorito chip overrun with ants, two bronzed doorknobs spooning, the blank back of a street sign. Yet these mushroom images got stuck in Fulford's mind, like a bad song sometimes does, and they started to grow in his own work. The Mushroom Collector combines some of the original flea-market mushroom pictures with his own images and text by the artist about the project.
The Photograph as Contemporary Art
"An essential guide."--Seattle Post-Intelligencer
Sleeping by the Mississippi
Evolving from a series of road trips along the Mississippi River, Alec Soth's Sleeping by the Mississippi captures America's iconic yet oft-neglected "third coast." Soth's richly descriptive, large format color photographs describe an eclectic mix of individuals, landscapes, and interiors. Sensuous in detail and raw in subject, his book elicits a consistent mood of loneliness, longing and reverie. "In the book's forty-six ruthlessly edited pictures," writes Anne Wilkes Tucker, "Soth alludes to illness, procreation, race, crime, learning, art, music, death, religion, redemption, politics, and cheap sex... The coherence of the project places Soth's book exactly within the tradition of Walker E...
Grays the Mountain Sends
Grays the Mountain Sends by Bryan Schutmaat documents the rugged landscapes and people of the great American West. The images describe a series of mining sites and small mountain towns and the people who have worked in them, built them, and a few younger people who might, or might not, be looking for a way out of them.
Nuba & Latuka
This classic series by legendary Magnum photographer George Rodger introduced the Western world to the Nuba peoples of Sudan. In 1949 the photographer and co-founder of Magnum Photos, George Rodger, learned of the Nuba tribe while traveling in the Kordofan region of the Sudan. Remarkably, he was granted permission by the Sudanese government to take pictures of these striking people, who lived as their ancestors had centuries before. After publication in National Geographic magazine, these pictures--as well as Rodger's fascinating journal entries from the shoot--have not been available to the wider public. Now, Rodger's rare softly colored Kodachrome images are gathered in a sumptuous volume, and introduced in an essay by photographer Chris Steele-Perkins. Beautifully reproduced, Rodger's photographs emphasize the muted colors of the Sudanese landscape as well as the Nuba's penchant for vivid body paint, clothing, and jewelry. They are a superb example of early color photography, and a stunning celebration of a little-known tribe that lives in one of the world's harshest environments.
Photographs Not Taken
Short essays by photographers describing the photographs they didn't take, and why.
I Walk Toward the Sun Which Is Always Going Down
In Alan Huck?s image-text book, '?I walk toward the sun which is always going down?', an unnamed narrator wanders a city in the American Southwest, where their observations and encounters become catalysts for rumination on a wide range of subjects. Shifting between photographs of the city?s peripheries and an interior monologue written in first-person, fragmentary prose, this hybrid essay draws on the ambulatory works of writers such as W.G. Sebald and Annie Dillard, both of whom are incorporated into the network of literary and cultural references interwoven throughout the book?s text. Part metafiction about the working process of a photographer and part cross-disciplinary exploration of one?s relationship to a particular place, the author utilizes the essential indeterminacy of both photography and written language to craft an exercise in attention that moves seamlessly between the two mediums.
