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THE INDIAN LISTENER
The Indian Listener began in 22 December, 1935 and was the successor to the Indian Radio Times, which was published beginning in July of 1927 with editions in Bengali.The Indian Listener became "Akashvani" in January, 1958.It consist of list of programmes,Programme information and photographs of different performing arrtist of ALL INDIA RADIO. NAME OF THE JOURNAL: The Indian Listener LANGUAGE OF THE JOURNAL: English DATE,MONTH & YEAR OF PUBLICATION: 22-02-1936 PERIODICITY OF THE JOURNAL: Fortnightly NUMBER OF PAGES: 60 VOLUME NUMBER: Vol. I. No. 5. BROADCAST PROGRAMME SCHEDULE PUBLISHED(PAGE NOS): 260-288 ARTICLES: 1. From Peking To Kashgar 2. Planning For The Future 3. Short-Wave Broadcasting - I Author of Article: 1. Sir Eric Teichman 2. Mr. H.L. Kirke In India 3. Sir Noel Ashbridge Keywords: 1. Journey, Peking to Delhi, Kashgar, Mountains, Hills, Chinese Turkestan, Gobi Desert 2. H.L. Kirke, Research Department, B.B.C., Expansion Of Broadcasting, Preliminary Study 3. Publication, Chief Engineer, G5SW Transmitter, BBC Empire Service, Short-Wave, Daventry Station Document ID:INL-1935-36 (D-D) Vol-I (05)
THE INDIAN LISTENER
The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service,Bombay ,started on 22 December, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it was published by All India Radio,New Delhi.In 1950,it was turned into a weekly journal. Later,The Indian listener became "Akashvani" in January 5, 1958. It was made a fortnightly again on July 1,1983. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes,who writes them,take part in them and produce them alo...
The Lost World of Hindustani Music
Author's anecdotes and impression on the life and musical genius of musicians of Hindustani music style.
THE LEGACY OF GANGUBAI HANGAL
When I first began to plan this book, I thought that I would begin the preface with the words ―the purpose of this book is.‖ I am glad to present this book, especially designed to serve the needs of the students. There are so many listeners of Gangubai Hangal who knows her as a renowned classical vocalist but through this work, I tried to show Gangubai Hangal as a role model of humanity whether it is as a daughter, mother, grandmother, or friend. No one walks alone in the quest of attaining knowledge and I am no exception, I must start by thanking all those who joined me in my journey, those who walked beside me, those helped me along the way by continuously urging me to write this thesis and to put my thoughts down. My thanks to all the people who I have met and worked with and shared my insights and problems. This Book and its pages are thanks to all my near ones who have helped me shape it. Sometimes words get limited when it comes to express deep and hearty regards for an inspirational experience of life. I feel myself lucky to come near the milestone which I desperately wanted and finalizing this research is one of those rare beautiful moments of my life.
Who’s Who
I first met M.A Sheikh in the late nineteen seventies as my interest in music grew beyond that of mere appreciation. I was looking for people who could help in developing my taste further and on being recommended I went to visit M. A Sheikh who had an office in the basement of Radio Pakistan Lahore. With regular visits I came to know of the setting up of the Classical Music Cell and its dramatic downturn in fortune with the change of government. The Classical Music Research Cell had been shut down after martial law had been imposed in nineteen seventy seven as an unnecessary drain on the national expenditure. Since the hired premises had to be vacated the question remained as to what was to ...
Music Points - India
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Debates
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South Asia
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